"Carnage: Carnage U.S.A."

                The following is a review of the graphic novel “Carnage: Carnage U.S.A.” as presented in Marvel Modern Era Epic Collection format.

                Tech billionaire Michael Hall recovered the body of Cletus Kasady/Carnage from space after Carnage had been ripped in half by the superhero the Sentry. Francis Barrison/Shriek, Carnage’s lover and a supervillain patient at Ravencroft, a sanitorium bought over by Hall Industries, was being transported to a Hall Industries facility. The Spider-Doppelganger, who thought of her as its mother, sensed her presence and attacked the truck carrying her. Shriek’s psychiatrist, Doctor Tanis Nieves, tried to use her car to run the truck off the road. Tony Stark/Iron Man and Peter Parker/Spider-Man came to stop the creature, but Shriek used her mind control powers to incite an angry mob against the heroes. Two tech powered employees for Hall Industries, Royal Blue and Firebrick, joined the fight and shot the Spider-Doppelganger, hitting Nieves as well. The truck got away, and the mob quieted down. Nieves was outfitted with a high-tech prosthetic arm from Hall Industries that was laced with a piece of the Carnage symbiote. Spider-Man visited Nieves in the hospital, suspicious of Shriek’s part in the riot, and Nieve’s confirmed she was Shriek’s doctor but did not implicate Hall Industries. Stark found traces of the Carnage symbiote left behind from the skirmish with Royal Blue and Firebrick and told Spider-Man, who had a long history with symbiotes. Nieves demanded to see Shriek during the middle of an experiment, and the symbiote in her prosthetic arm took over and attacked. Stark pieced together that Hall was involved, and Iron Man and Spider-Man went to Hall Industries, where they were attacked by the tech soldiers Paris Green, Firebrick, Royal Blue, Burnt Orange, and Gun Metal. Nieves freed the Carnage symbiote, and the symbiote attached to her. The tech soldiers were called in to fight Carnage. Iron Man and Spider-Msn joined the fight. As Shriek was being moved, the Spider-Doppelganger tried to rescue Shriek. The Hall employees moving Shriek fought the creature, and Shriek attacked the guards to save the creature. Carnage found its way to the cell where Cletus Kasady was secretly being kept alive. The symbiote left Nieves and rejoined with Kasady. Spider-Man, Iron Man, and the Hall tech soldiers fought Carnage, but Carnage pulled the symbiote tech from the soldiers and added it to himself. Shriek found Nieves and informed her she was carrying Carnage’s baby. Tanis cut off her prosthetic arm to try to prevent bonding with a symbiote. Shriek attached the arm to herself, then joined Carnage in the fight, mind controlling all the civilians to her side, along with the Spider-Doppelganger. The tide turned against the heroes, and as it looked like the heroes were losing, Nieves became the symbiote hero Scorn. Scorn forced Shriek to use her sonic powers to destroy Carnage’s armor, but Carnage himself was able to escape. Nieves was then placed under Stark’s care.

                Carnage escaped to Doverton, Colorado, where he took over the entire town. Kasady sent the sheriff out with his demands. The Avengers, Spider-Man, James Howlett/Wolverine, Clint Barton/Hawkeye, Steve Rogers/Captain America, and Ben Grimm/Thing were called in to rescue the town. Upon arriving, they encountered Kasady, who expanded the symbiote and corrupted the Avengers, except for Spider-Man. The government, in response, sent in two contingency plans, all symbiote powered agents, Contingency A was Scorn. Contingency B was soldiers Marcus Simms/Lasher, James Murphy/Agony, Rico Axelson/Phage, and Howard Ogden/Riot. Spider-Man was rescued by the citizens of Doverton who were able to escape from Carnage and were hiding on the Ralsby Estate outside Doverton. Carnage sent the wife and children of one of the escapees to the Ralsby Estate to kill their family. They were unable to go through with their mission. Carnage briefly lost control over Captain America, and Cap called in a third contingency plan: Eugene “Flash” Thompson/Venom. Spider-Man and Contingencies A and B fought Carnage and the symbiote civilians of Doverton and the symbiote Avengers until Venom arrived. Scorn set up a trap that separated symbiotes from their hosts and plowed Carnage into it, but unintentionally also drove Venom into it as well. Flash and Cletus fought without their symbiotes. The government fired on a localized area of Doverton to destroy the symbiote mass, and Cletus Kasady was arrested and detained.

                Carnage managed to bust out of custody from the Thunderbolts Mountain Maximum Security Prison. Venom was called in to hunt him down. On the footage of Carnage’s escape, Venom saw a small creature. Venom called his contact, Daily Inquisitor reporter Katy Kiernan, who sent him a report about the Prometheus Pit in Houston, Texas. Kaine Parker/Scarlet Spider, who operated in Houston, found a survivor of a crime scene, who seemed to be afraid of him. Katy flew to Houston to investigate the story and met with Doctor Ketola, who had built a version of the Prometheus Pit at the Lyndon B. Johnson Space Center. Carnage attacked the Space Center, and Scarlet Spider swung in to try to stop him. A group of small creatures joined the fight and forced Ketola to activate the Prometheus Pit. Carnage grabbed Katy and stepped through it. Venom arrived at the scene and lost control of the symbiote and attacked Scarlet Spider. After a brief fight, Flash regained control of the symbiote, and Scarlet Spider and Venom stepped through the Prometheus Pit. The two arrived in separate locations in the Microverse. Venom was discovered by the Enigma Force. Scarlet Spider arrived in front of the Redeemer. Carnage was brought to the Body Banks. Enigma Force traveled through the Microverse with Venom to fight Marquis Radu. The Redeemer brought Scarlet Spider to Marquis Radu’s location, where they were attacked by Carnage. The Redeemer was endangered, and Scarlet Spider broke off the attack. Marquis Radu abducted Venom, the Enigma Force, Katy, and Carnage and brought them to the Body Banks. Marquis Radu used the Venom and Carnage symbiotes to create an army of symbiote soldiers. The Enigma Force and Katy managed to break free. Carnage escaped from the Microverse. The Redeemer used his powers to return Scarlet Spider, Venom and Katy to Houston, but they did not arrive full-sized. Scarlet Spider and Venom battled the symbiote soldiers until they returned to regular size. Venom detonated a sonic bomb, destroying the symbiote soldier and knocking out Carnage. Scarlet Spider then lobotomized Cletus Kasady. Carnage was apprehended and sedated.

                Bentley Whitman/Wizard staged a prison break to recruit Carnage for his Frightful Four, along with Ulysses Klaw and Karl Malus. Wizard was dying due to dementia caused by a fight with Black Bolt and wanted to impress his estranged clone/son Bentley-23 before he passed away. However, Wizard was unable to bend Carnage to his will. Wizard decided to control Carnage, Wizard would have to change Carnage’s host. Wizard performed a blood transfusion between Cletus Kasady and Malus. Wizard decided the Frightful Four would stage an attack on City Hall in New York City and take down Mayor J. Jonah Jameson. As the Frightful Four attacked City Hall and entered the mayor’s office, they were greeted by Otto Octavius/Spider-Man and his Spider Patrol. The Superior Spider-Man then had to fight the Frightful Four and the Superior Carnage to save City Hall.

                Okay, I think that’s a good enough synopsis summary. Now it’s time for my personal input for the review. We’re going to start, as always, with my own personal opinions on the book. Some of my longtime readers may recall that Carnage is my favorite supervillain. So, of course when I found out Marvel was putting out a “Carnage” Modern Era Epic Collection, I was super excited. And I will say that I loved this book. Mind you that I did read these stories years ago, but it’s been at least twelve years on parts of this book, so the refresher was needed. But I thought these stories were excellent. I’ve always been a fan of Carnage, and I also enjoyed Flash Thompson/Venom and Kaine Parker/Scarlet Spider, so having all three of these characters featured in one volume was a huge thrill for me. Some of my longtime readers may recall that the “Minimum Carnage” storyarc was also featured in “Venom: The Savage Six,” so the story has been reviewed before in my review of that graphic novel, if you would like to compare them. Anyway, “Carnage” was interesting to me, I liked how Hall made his technology out of the Carnage symbiote, and Scorn was an interesting new character in my opinion. “Carnage U.S.A.” was highly enjoyable to me, the whole concept of Carnage taking over a whole town was highly entertaining. I loved “Minimum Carnage,” the Scarlet Spider/Venom crossover event was a great idea, in my opinion, taking these two vastly different characters and forcing them to try to achieve the same goal was genius. “Superior Carnage” was compelling, watching the Wizard making a last-ditch effort to impress his son almost made me root for the villain, which I actually felt was quite a brilliant twist. While I loved the stories, the art presents a little bit of a problem. For the most part I enjoyed it, but I have a few complaints. While I enjoyed Clayton Crain’s work on “Carnage” and “Carnage U.S.A.” I will say that I felt that his coloring was a little too dark. Also, I was not a fan of Declan Shalvey’s work on “Venom” in “Minimum Carnage.” That said, the rest of the art was, in my opinion, fantastic. But the biggest problem I have with the art is Cletus Kasady’s legs. Crain drew Kasady as he had been torn in half by the Sentry, with a prosthetic lower body. This lower body was destroyed during his fight with Flash Thompson during “Carnage U.S.A.” However, all the other artists who drew Kasady in human form gave Kasady flesh and blood legs. This inconsistency greatly bothers me. I feel it is something the editors should have noticed. Otherwise, I felt this book was a stellar Modern Era Epic Collection and hope to see more “Carnage” Modern Era Epic Collections in the future. Also, I felt that the title “Carnage U.S.A.” was highly adequate.

                Next on our list of things to discuss, we’re going to talk about accessibility. I’ve explained this at least six dozen times at this point, but I know I always have new readers every time I do a post who don’t know what I mean when I use the word, so I shall explain myself once again. When I say “accessibility” I mean if a person who knows nothing about Marvel Comics can pick up this book, read it, and completely understand what they have just read. I will say this book does have some accessibility factors, but there are some details that are off-putting to readers who are unfamiliar with the comics. First off, Flash Thompson is not the best-known Venom, Kaine Parker is not the most well-known Scarlet Spider, and readers who don’t know Marvel would have difficulty with Otto Octavius being the Superior Spider-Man. But it does have a standalone kind of feel to it, particularly the fact that most of it is limited series. This volume is comprised of three limited series, two one-shots, and four regular issues from two ongoing series. Would I recommend it as a first read for someone who wants to start getting into Marvel Comics? Not particularly, but it’s not the worst place a new reader can start.

                Okay, now that I’ve been prattling on for a long time, I think it’s high time I move on to the point that is one of the key components of my review: the numeric score. I’m not going to say it’s the single most important part of my review, everyone reads my reviews for different reasons, but the score is a very integral part of any of my reviews. So, I score on a very basic system, on a scale of one through ten. One means this book is smelly garbage that should be avoided at all cost. Ten means this book is sheer perfection. People who have read my reviews before know I’m very particular about what I consider perfection and I’m not in the business of just posting every book I read is a ten. And I will say this book is just not perfection. While yes, the stories were fantastic, the art had its problems, with the color pallet being a little dark in Crain’s work, and Shalvey’s work didn’t appeal to my visual tastes, and yes, there was the forgetting of Cletus Kasady having been cut in half. However, I still thought this was an excellent book, and I feel like the score I give should reflect on that. So, when I put the book into my metaphorical review-mixing blender and turn it on and mix this book until it’s a fine liquid, taking everything in this book into account, the fantastic story, the relatively decent art, the adequate title, and I pour it out into my metaphorical cup, this score is… an eight. I felt like this book had an exemplary story, and if a different artist had been selected for “Venom” and if the artists had remembered to follow continuity on Kasady’s body, the score could have been higher, but for what it was, this book was a phenomenal effort.

                Next on our list of things to do is the recommendation. In this segment I do two things. The first is I tell you, my readers, if I personally recommend this book to you, or if I were to talk to anyone about this book, would I recommend it to them? The second thing I do is say regardless of if I would recommend the book or not, whom do I think would be the best audience to read this book. So, to answer the first question, you can probably already guess at this point based on the excellent review I’ve given that this book gets my personal recommendation. And if you guessed that, you would be absolutely correct. I do recommend this book to anyone within the sound of my voice and anyone reading this review who is interested in reading this review based solely on what I am writing right now should definitely make every effort to try to obtain this book, either going to your favorite online retailer, or bookstore, or if you’re really lucky your local library might have it, just do whatever you can to get your hands on it, I think this is an exceptional book and well worth the read. As to whom I think the best audience for this book is, I would say anyone who is a fan of Carnage or any symbiote storylines. I would also say people who like horror comics would really enjoy this. And I would also say people who like psychological comics would definitely be a target audience.

                Okay, we’re getting to a point where we are just about ready to part ways. There are a few things I have to say before I go. The first is that I have been doing this blog for five years now and have done over 170 posts. Over seven dozen of them are book reviews just like this. I purchase every Marvel Modern Era Epic Collection and Ultimate Epic Collection as soon as I can after publication and post a review as soon as I possibly can after I read them. I post on a very frequent basis because of this, usually at least one post a month. You can expect to see my next post “Annihilation: Desperate Measures” within the next week after my publishing this post. I’ve also written short stories, poetry, essays, articles, and editorials, so there’s plenty of other content on this blog to check out if you enjoyed this post. I’ll be back soon, but until next time, Tim Cubbin… out!