"Daredevil: The Murdock Papers"

 

            The following is a review of the graphic novel “Daredevil: The Murdock Papers” as presented in Marvel Modern Era Epic Collection format.

            Alexander Bont had been an up-and-coming mobster during prohibition. He went on to become the Kingpin of crime in New York City. He ended the career of a crimefighter who called himself the Defender. Matt Murdock/Daredevil helped play a part in Bont’s arrest. After Bont got out on bail, Bont turned to Melvin Potter/Gladiator, one of the people on his payroll. Bont offered Gladiator ownership of Gladiator’s shop in exchange for the demise of Daredevil. Bont turned to Matt Murdock and his law partner Franklin “Foggy” Nelson for legal representation, but Nelson and Murdock were already involved in a case that qualified as a conflict of interest with Bont. Daredevil fought and defeated Gladiator and learned the Bont had enticed Gladiator into attempting to end Daredevil. Bont was found guilty in court and sent to jail. Following this, another up-and-coming mobster named Wilson Fisk took Bont’s place as New York City’s Kingpin of Crime. Years later, Daredevil defeated Wilson Fisk and declared himself the Kingpin of Hell’s Kitchen. Bont was released from prison and wanted to take his position back. He started taking the street drug Mutant Growth Hormone to temporarily obtain superpowers and ended the life of one of his former underlings, Slick Saul. Matt had been outed in the press as Daredevil and Bont wanted revenge on the hero who put Bont in prison. FBI Special Agent Angela Del Toro was assigned to the cases of investigating Matt Murdock as Daredevil and of following Bont and was able to connect Bont with Slick Saul’s ending. Del Toro had inherited the White Tiger amulets from her deceased uncle Hector Ayala, the former White Tiger. Daredevil began training Del Toro in using the powers the White Tiger amulets granted. Bont once again procured Gladiator’s service and had Matt abducted. Del Toro came to Matt’s rescue and fought Gladiator, and Matt faced Bont for the final time.

            Reverand Bob Cumeo led a support group for the people of Hell’s Kitchen to come discuss the effects of Daredevil on their daily lives. One woman was present the night Daredevil took down Fisk and shared the story of how Daredevil’s cleansing of crime in Hell’s Kitchen changed this woman’s life for the better. One man in attendance had planted a bomb in an attempt to destroy Daredevil. One woman shared a story of how her husband was talked into committing crimes by a demon and defeated by Daredevil. This led to an outbreak of violence between this woman and a victim of the woman’s husband who came to the meeting just to have a confrontation and was furious to hear such an outlandish story. Just as the group about to disband, another woman in attendance pulled out her daughter’s drawing of the demon. The supervillain Jonathan Powers/Jester had this demon inside him, and it spurred him into holding a bank full of people hostage, including this woman’s daughter. Daredevil had defeated Jester and the demon had escaped. To the group’s surprise, one of the members in attendance was Matt Murdock, who had come to the group looking for the man who had conjured the demon that had been inside Jester and was inside a man in attendance of this same group. The man escaped and Matt had a confrontation that ended both the conjurer and the demon.

            Wilson Fisk spoke to Daily Bugle reporter Ben Urich from Fisk’s prison cell. He wanted to make a deal with the Federal Agents: he could leave the country with all of his assets unseized in exchange for proving Matt Murdock was Daredevil. Agent Del Toro had a conversation with the Director of the FBI, where the Director revealed he was planning to take Fisk’s deal. The two argued, and Del Toro was fired. Natasha Romanov/Black Widow went to S.H.I.E.L.D. Director Maria Hill to try to bargain for Hill to squash the deal, but Hill refused. Matt reconnected with his ex-wife Milla Donovan. Elektra Natchios, Matt’s ex-girlfriend, came to Matt after news about “The Murdock Papers” broke. Fisk told the FBI director he had documented evidence proving Matt Murdock, and Elektra wanted to help Matt get to it before the FBI did. Black Widow agreed to help Daredevil and Elektra get the papers. Del Toro also offered her support. Leland Owsley/Owl hired contract killer Bullseye to kill Daredevil to prevent Fisk from getting his deal. Daredevil and Elektra beat Bullseye, but Daredevil was shot by the mercenary Paladin, hired by the FBI. Fisk revealed that there were no Murdock Papers and that it was all just a story he told to keep his underlings and associates in line. Elektra brought Daredevil to the Night Nurse, a nurse who secretly treated superheroes. Fisk surmised thar Daredevil was taken to the Night Nurse, and Ben Urich, who had been brought along on the deal, knew the location of the Night Nurse’s clinic, and to not reveal this information would be an obstruction of justice that could get Urich arrested. As Night Nurse struggled to save Daredevil’s life, Black Widow brought Milla to the clinic. The ninja clan the Hand arrived and used their magic to heal Daredevil. Luke Cage and Danny Rand/Iron Fist tried to prevent the FBI from finding Daredevil. As chaos ensued, Daredevil revived and surrendered to the FBI.

            Okay, now that we’ve got the synopsis out of the way, let’s move on to the Tim Cubbin segments of this review. We’re going to start, as we usually do, with my personal opinions. First off, I will say that I found this book to be pretty enjoyable. I found the stories to be relatively interesting. I enjoyed “Golden Age,” the rise and fall and attempted reprisal of Bont was entertaining. I really liked “Decalogue,” the support group stories and the demon made for a compelling read. “The Murdock Papers” was engaging, the deal with Fisk was a shocker, the twist that Fisk sent everyone on a wild goose chase was a huge surprise, and the ending was just unbelievable. I feel like Bendis did a very good job finishing his run. That said, I was not a fan of the artwork done by Alex Maleev. I can compare his artwork to looking like a colored sketchbook and it’s just a style I don’t like. As far as the title choice for this book, there were the options “Golden Age,” “Decalogue,” “The Murdock Papers,” or make up a title, and I feel like “The Murdock Papers” was the best choice for this collection. While “Golden Age” could have worked, I think it doesn’t sound as appealing as the title the editors chose, and “Decalogue” would not have worked as a title for this collection in my opinion. I think the editors picked right with “The Murdock Papers.” And it also was the longest story arc in the book, although both “Golden Age” and “Decalogue” were five issues and “The Murdock Papers” was six issues, so it’s not hugely a significant dominance, but it still was longer even though only slightly. I do have to complain about the choice of the cover. The cover chosen for this book depicts Daredevil swinging in his original yellow and red costume, which is only seen in flashback sequences in “Golden Age.” As such, I don’t feel it was an appropriate representation for the book as a whole as it was seen briefly in a story arc that made up less than one third of the book. I feel there were plenty of other covers in this collection that could have been chosen that would have made a much more accurate front cover for a book with this content. As far as story goes with this book, I was generally satisfied, it was just the artwork that I found to be disappointing.

            Next up, we’re going to discuss accessibility. Now I know at this point I have explained my usage of this word over seven dozen times in my vast amount of reviews on this blog, but since every time I write this review I have new readers, I have to explain myself again each time because there are the newbs who might not understand what I mean by my usage of the word. So when I’m posing the question “is ‘Daredevil: The Murdock Papers’ accessible?,” what I’m asking is, can a person who knows absolutely nothing about Daredevil or Marvel Comics in general see this book at a bookstore, online retailer, comic shop, library, or friend/relative’s collection, be intrigued by it, decide they want to read it, obtain it, read it, and understand everything they’ve read without context? The answer to this is a huge no. This book is marketed as Vol. 5, and it culminates a story that has been running since Vol. 2 straight through. Not having read the previous three volumes in the series is extremely detrimental to comprehending these storylines as these stories continue directly from Vols. 2-4. If you have been following the series, however, this volume is one-hundred percent accessible as it contains content from only one series in order with no gaps, and it does not cross over into other series or tie into any ongoing events. But if you have not read the entirety of Bendis’ run prior to the start of this volume, I will tell you not to attempt to read this volume at all, you have missed so much backstory and grasping all the content will be extremely difficult. If you’ve never read a Marvel Comic book before and are looking for a place to start reading, this is not your jump on point. If you want to tackle this book with no other Marvel Comics history, first read the Marvel Daredevil Modern Era Epic Collections “Underboss,” “Out,” and “King of Hell’s Kitchen,” then you will be all prepared to dive headfirst into this volume, but outside of that, I would not recommend reading this graphic novel without consuming the previous three sequential volumes in the series first. Some of my previous readers may recall I already wrote a review of “Daredevil: The Devil in Cell-Block D,” which is actually Vol. 6 and was released out of sequence, and if you read this review, you may recall my great displeasure in this choice of marketing. Were they to have been released in order, “The Devil in Cell-Block D” would probably have gotten a better review as this volume leads directly into the next volume and this release plan makes no sense and was very detrimental to my enjoyment of the story. I will definitely tell you to read the Modern Era Epic Collections by volume numbers and not by release date order.

            Next up, I’m going to give this book a numeric score. While some people read these reviews to know exactly how good I think a book is, I can’t say this paragraph is the single most important segment in my reviews, but it is very essential to my reviews. So, let’s discuss my scoring system really quick. I score on an extremely basic scale: my scale is a system of exact numbers ranging from one to ten. One is the lowest score I can possibly give, and that means this book is awful, and that if I ran the world, every unsold copy of this book would be rounded up and put on a massive pile, then ignited and burned until they are nothing but ashes, then every possible way to reprint this book would be wiped so this affront to the literary world can never be reproduced and it will be extinguished from existence forever. Ten is the highest score I can possibly give, and that means this book is sheer perfection and that I will never understand if this book does not become a bestseller that goes out of stock and has to be reprinted every three years. So, when I’m scoring a book, I’m looking at four things: story, art, title, and cover. All of these factors are taken into consideration when I make my scoring verdict. So, with this book, we had a story I found generally enjoyable, art I found entirely displeasing, a title I feel represented this book well, and a cover that did not depict the overall content contained in the pages of this graphic novel. This makes churning out a score somewhat difficult. But when mixing a score for this book as a whole, taking everything into account, the score I’m going to give out is… a seven. For the most part, I found the book to be literarily enjoyable, just not artistically enjoyable.

            Next up is going to be my recommendation segment. Here I answer two questions. The first is, do I, Tim Cubbin, personally recommend this book to you, my readers, or to anyone unfortunate enough to get caught up in a conversation with me about this book? The second question is, regardless of my answer to question number one, who do I think, beyond the regular fandom of Marvel, Daredevil, comic book fans, or fans of the creative team would most enjoy this graphic? To answer my first question, I would answer yes with a caveat: read Vols. 2-4 first, then read this volume. If what I’ve been writing for the past few hours has you interested in reading this book, I tell you to go for it, as long as you read all of the previous parts of Bendis’ run first and read it as an entirety of his work on Daredevil. As for an audience whom I think might enjoy this graphic novel, I would say that fans of crime graphic novels would find this appealing, especially the mob, as the Bont flashback sequences pertain to prohibition and mobster fans would probably find those segments particularly enjoyable. “Decalogue” actually hold religious connotations, so Catholic or Christian graphic novel fans might enjoy it as it is framed around the Ten Commandments and features a satanic presence. Espionage fans would also possibly find this enjoyable, with the FBI going after Daredevil and the Black Widow getting involved. And fans of legal dramas might find this interesting as Daredevil’s alter ego is a lawyer and “The Murdock Papers” has a huge focus on the law.

            Okay, we’re at the point where we’re just about finished. There are a few more things I have to say before I log off and click post. First off, I’ve been doing this blog for over five years and have accumulated over 180 posts. Over seven dozen of them are reviews of Epic Collections just like this one. I’ve also reviewed prose novels and manga in the past. I’ve also drafted short stories, poetry, essays, articles, and editorials, so there’s a variety of content on this blog if you’re looking for a change of pace. My current main focus however is to review Marvel Modern Era Epic Collections and Ultimate Epic Collections. I purchase each one as soon as I can after it is released and review it as quickly as possible. If you liked this particular review, feel free to search for my reviews of “Daredevil: Underboss,” “Daredevil: Out,” “Daredevil: The King of Hell’s Kitchen,” and “Daredevil: The Devil in Cell-Block D” for more Daredevil content. My next review is going to be “Ultimate Spider-Man: Hunted” you can expect to see this post within the next two months from the date of this posting. I plan to keep doing this blog for as long as possible, which will be until I am no longer capable of typing, so expect this to keep going for quite a while. That’s all I have to say for now. Until next time, Tim Cubbin… out!

"Young Avengers: The Children's Crusade"

 

                The following is a review of the graphic novel “Young Avengers: The Children’s Crusade” as presented in Marvel Modern Era Epic Collection format.

                Erik Lensherr/Magneto became interested in the Young Avengers, particularly Billy Kaplan/Wiccan and Tommy Shepherd/Speed, who might be the reincarnated children of Magneto’s daughter Wanda Maximoff/Scarlet Witch, essentially his own grandsons. Both Scott Summers/Cyclops and James Howlett/Logan/Wolverine warned Magneto to stay away from the kids.

                The Young Avengers (Cassie Lang/Stature, Eli Bradley/Patriot, Kate Bishop/Hawkeye, Tommy Shepherd/Speed, Kate Bishop/Hawkeye, Teddy Altman/Hulkling, Billy Kaplan/Wiccan, and Vision) battled the supremacist group the Sons of the Serpent. Steve Rogers/Captain America, Tony Stark/Iron Man, and Carol Danvers/Ms. Marvel arrived to assist the fight. Wiccan lost control of his powers and put all the members of the Sons of the Serpent into comas. The Avengers feared he could potentially have the same powers as the Scarlet Witch and be the Scarlet Witch’s son. The Scarlet Witch had lost control of her powers and killed Avengers Clint Barton/Hawkeye, Scott Lang/Ant-Man, and Vision; created a world where Magneto ruled; and when the World of M failed, robbed millions of mutants of their powers with a single spell. After the World of M, Scarlet Witch disappeared, and no one had been able to find her. Wiccan refused to believe the Scarlet Witch was acting of her own free will when she committed these acts. The Avengers took Wiccan in for assessment. Hulkling volunteered to stay with Wiccan. The rest of the Young Avengers broke Wiccan and Hulkling out. Magneto found the Young Avengers and asked for Wiccan and Speed’s help finding Scarlet Witch. Wiccan refused to go without the rest of his team. The Avengers (Steve Rogers/Captain America, Tony Stark/Iron Man, Peter Parker/Spider-Man, Carol Danvers/Ms. Mavel, Logan/Wolverine, and Luke Cage arrived and fought Magneto, but Wiccan teleported the Young Avengers and Magneto to Wundagore Mountain in Transia, birthplace of the Scarlet Witch. They began to search for Scarlet Witch when they encountered Pietro Maximoff/Quicksilver, who tried to separate Wiccan from Magneto. Quicksilver attacked Magneto, and during this attack, destroyed a Doombot disguised as the Scarlet Witch. Wiccan tried to sneak off to teleport to Latveria, the country ruled by Doctor Doom, but he was discovered by Quicksilver and the Young Avengers before he could make the jump. The Avengers turned to Simon Williams/Wonder Man for help finding Scarlet Witch due to an energy bond the two shared. Wiccan managed to sneak away from the Young Avengers, Magneto, and Quicksilver and teleport to Latveria. He used his magic to disguise himself as Scarlet Witch to see if the guards would lead Wiccan to the Scarlet Witch. Wiccan was brought to a room where he came face to face with Scarlet Witch. She had no memories of her life as an Avenger or the Scarlet Witch and no magical powers and informed Wiccan she would be getting married the next day. The groom arrived in the room, and it was Victor Von Doom/Doctor Doom, who rendered Wiccan unconscious. The Young Avengers, Magneto, and Quicksilver managed to travel to Latveria, but they arrived at the same time as the Avengers. Doctor Doom used a spell to heal Wiccan, but the spell robbed Wiccan of his powers and locked Wiccan up. Wanda freed Wiccan and asked Wiccan to tell Wanda about the Scarlet Witch. Wiccan agreed if Wanda would help him escape. The Avengers and the Young Avengers got into a battle. Wolverine was about to end Wanda’s existence when Nathaniel Richards/Iron Lad arrived and stopped him. Iron Lad had come from the future where he found out that Scarlet Witch and Wiccan were killed at this point in time and traveled to the past to save both their lives. Iron Lad, the Young Avengers, and Wanda escaped into the Timestream. Iron Lad informed the Young Avengers he had developed new technology that would allow them to inhabit a moment in time without altering in. Stature asked Iron Lad to take them to the day the Avengers ended so Wanda would be able to remember. Stature reunited with her father Ant-Man before Jack of Hearts exploded and killed him. Seeing Jack of Hearts restored Wanda’s memories and powers, and Scarlet Witch teleported herself, the Young Avenger, and Ant-Man back to the present. Scarlet Witch lost control of her powers again. Clint Barton/Hawkeye, Jessica Jones, and Hank McCoy/Beast arrived at the scene with the Young Avengers. Wiccan talked to Scarlet Witch, and she regained control and recognized Wiccan and Speed as her sons. Beast decided to see if Scarlet Witch could undo her “no more mutants” spell. Jessica Jones suggested they go to X-Factor Investigations, the mutant detective agency, (Jamie Madrox/Multiple Man, Guido Carosella/Strong Guy, Geveedra-Seven/Shatterstar, and Juilo Esteban Richter/Rictor) Rictor was one of the mutants who had lost his powers on M-Day. Rictor agreed to let Scarlet Witch try to undo the spell on him, and Rictor got his powers back. The X-Men (Scott Summers/Cyclops, Anna Marie/Rogue, Piotr Rasputin/Colossus, Ororo Munroe/Storm, Emma Frost, Bobby Drake/Iceman, and Remy LeBeau/Gambit) arrived outside X-Factor Headquarters, looking for the Scarlet Witch. The Avengers fought the X-Men. Wanda knocked them all out and teleported herself and the Young Avengers back to Castle Doom. Doctor Doom revealed to Wiccan that Wiccan had never truly been depowered. Doctor Doom asked Wiccan and Scarlet Witch to join him in casting a spell to return the powers to the mutants of the world. Patriot tried to take out Doctor Doom while the three were casting the spell, but his shot hit Scarlet Witch, giving Doctor Doom the reality altering power of the Life Force. Doctor Doom teleported the Young Avengers and Scarlet Witch back outside X-Factor Headquarters. Doctor Doom arrived and asked the heroes to surrender to him. When the heroes refused, Doctor Doom fought the combined X-Men, X-Factor, Avengers, and Young Avengers. Not everyone walked away from the fight.

                Doctor Doom summoned his niece, Valeria Richards. The Scarlet Witch would be coming for Doctor Doom, and Doctor Doom wanted to restrain Scarlet Witch and harness Scarlet Witch’s powers for good purposes. Doctor Doom presented Valeria with a list of candidates who could help him in this effort. Valeria went to S.H.I.E.L.D. Director Maria Hill, who partnered Valeria with Agent Phil Coulson. Valeria and Coulson recruited Elsa Bloodstone, John Walker/U.S.Agent, Valkyrie, Delroy Garrett/3-D Man, and Walter Newell/Stingray in the mission to Latveria to capture the Scarlet Witch and use her powers to undo Doctor Doom’s sins.

                The Young Avengers were invited to the new Avengers mansion, where they had to deal with the security system.

                Iron Man guilted Stature for destroying Iron Man’s car.

                Thor gave the Young Avengers good weather to play baseball in.

                Okay, now that we’ve got the plot summary out of the way, let’s get to the Tim Cubbin part of this review. I’ll start, as always, with my own personal opinions about the book. I found this book to be highly enjoyable. I thought “The Children’s Crusade” was a great storyline. I liked the whole web of family drama. I enjoyed the fatherly portrayal of Magneto. Seeing Magneto trying to save his daughter was touching (for those of you who are thinking you want to correct me about Magneto not being Scarlet Witch’s father, yes, I am aware that Marvel decided to declare he is not, this book was written before that retcon). It was also interesting seeing him accepting the role of a grandfather and seeing just how far he would go for family. Wiccan’s character development was also interesting to observe over the course of the book, watching how his decisions got him in trouble over and over again, but how he really wanted to find his family and absolve his mother of her crimes against the Avengers and mutantkind. I loved seeing X-Factor in this book, they are one of my favorite teams and I honestly wish Marvel would make Modern Era Epic Collections out of this run, it really deserves it. Rictor getting his powers back was great. I loved the war between the Avengers and the X-Men, and the Young Avengers and X-Factor having to take a side. I especially enjoyed watching Wolverine in his own solo vendetta against the Scarlet Witch where he was neither X-Man nor Avenger. I liked seeing the return of the Scarlet Witch. I enjoyed her development from being Wanda Maximoff, the bride of Doom, to the Scarlet Witch, Avenger, and mother. I enjoyed how Heinberg brought back Ant-Man through time travel. I liked seeing Iron Lad return. I will say, however, that the “Avengers World” issues felt out of place in a “Young Avengers” Modern Era Epic Collection. None of the Young Avengers played a starring part in it. It somewhat connects with the main story, and I can see the reason that the editors decided to include these two issues in this book, but they still really felt to me like they didn’t belong in this particular collection based on the main storyline being completely separate and from quite a time apart, and also for not including the Young Avengers in starring roles. That’s not to say I didn’t find the story interesting. It wasn’t my favorite part of the book, but I still found it to be relatively enjoyable. The “I am an Avenger” short stories were fun; I found them to be enjoyable for the brief bits that they were. As far as the art goes, for the majority of this book, I found the art to be excellent. My points of unenjoyment come from two of the “I am an Avenger” stories. Otherwise, I thought the art was fantastic. As far as the title goes, this book could not have been given any other title but “The Children’s Crusade,” and if it had, that would have been a crime in my opinion. It was the title of the series that was the majority of this book, so no other title would have made sense. I will say, though, that I feel it was a little odd to make this series into a “Young Avengers” Modern Era Epic Collection as this was not a “Young Avengers” comic series. The title was officially “Avengers: The Children’s Crusade,” and included the one-shot “Avengers: The Children’s Crusade – Young Avengers,” but this was not officially designated as a “Young Avengers” limited series. I can see the editors’ reasons for making this a “Young Avengers” Modern Era Epic Collection, the whole book focuses on them, but this was called an “Avengers” limited series at the time. As far as the cover goes, I feel the choice was perfect, it features the Young Avengers in the foreground, the Scarlet Witch in the midground, and the Avengers in the background. It is an excellent representation of the content of this book, and I am satisfied with the editors’ pick. All-in-all, I thought this book was a great read and I highly enjoyed myself consuming it.

                Next up, we’re going to discuss accessibility. Now, I’ve done over seven dozen Epic Collection reviews at this point, and I’ve explained myself every time, but I know that I have newbies reading my reviews every time I post, so I have to explain myself once again. When I’m talking about accessibility in graphic novels, I’m talking about if people who, for example, have never read a Marvel Comic book before can hear about this book and decide to read it, then actually read it, and understand it completely as is without any prior of outside knowledge of the backstory or the history of the characters. This book does draw on a lot of backstories such as “Avengers Disassembled,” “House of M,” and “Decimation,” but for the majority, it is self-contained. The hiccup is including the two issues of “Avengers World” from the “Axis” storyline, which does break the self-containment and draw on some outside knowledge. That said, I do still feel that this book is highly accessible. The stories are presented in such a way that I feel having no outside knowledge of Marvel Comics would be super detrimental to. Marvel goes as far as to advertise this as essential reading for fans of Marvel Television’s “Wandavision” and “Agatha All Along,” and I concur that fans of those series would possibly find enjoyment with this book as it highlights Scarlet Witch and Wiccan, both prominent figures in the two television series, but I wouldn’t go as far as to say it’s essential myself as the storylines have no actual connections, the television series did not actually adapt “The Children’s Crusade” in the shows. I will say that I do feel that even though this book is marketed as Vol. 3, Vols. 1-2 are not necessary reads before reading this book, as the stories are not directly connected to or continued from the previous volumes. If you’ve never read a Marvel Comic before and are looking for a jump on point, I would say that this is a relatively decent one.

                Next up, I’m going to score this book on a numeric scale. I know some readers primarily come to this blog to hear about the story and read my numeric score, I know that some of my other segments aren’t as popular or as big of a draw, but I still feel that every segment in my reviews has validity, just some more than others, and the numeric score is one of my key segments, not to dismiss the importance of any of my other segments. Anyway, I score on a very basic system. I work with a scale of exact integers ranging from one through ten, no point somethings, just whole numbers. If I give a graphic novel a score of a one, that means that this book is a pile of trash that should be collectively gathered and set on a massive pyre, then all the plates containing prints of these issues so reprints can be made should be wiped so this horrible book can never be reproduced and is completely erased from existence, sparing anyone the pain of spending their money obtaining this book. However, a score of a ten means that this book is sheer perfection, and I will never understand it if this book doesn’t become a bestseller that needs to be reprinted every few years because there are no copies available on the shelves anymore because it is completely sold out. Okay, so I’m not actually being serious about this, I’m just trying to make a point. Anyway, I don’t give out tens very often because I don’t very often find books to be perfection. So, let’s talk about what I’m looking for when I give a numeric score. I’m looking for a compelling story, fantastic art, accurate title, and adequate cover. Now, this book did have all of that, yet I still don’t feel like this book was perfection. Again, the “Avengers World” issues felt a little out of place being in a “Young Avengers” Modern Era Epic Collection, it didn’t quite fit like a glove in my opinion. And some of the art in “I am an Avenger” was a little wonky. So, I do have to deduct. However, I still feel like this book deserves a high score, the problems with this book weren’t too detrimental in my opinion. So, when I churn out my numeric score, it’s going to be… an eight! I thought it was an excellent read and I highly enjoyed it.

                Moving on in our list of topics to discuss, we’re going to my recommendation segment. In this segment, I answer two questions. The first is, do I, Tim Cubbin, personally recommend that you, who have just spent the past however many minutes you’ve been taking to read this, should read this book if you are now interested in reading this book, based solely on the words I have just spent the past few hours typing? The second question is, beyond the obvious of the people who are already Marvel and Young Avengers fans, who do I think should be reading this book, regardless of the fact if I would personally tell you to read it or not? The answer to the first question is probably obvious, but yes, I would recommend this book to you, my readers. If you are reading this review and now want to read this graphic novel, I recommend going to your favorite bookstore or online retailer, or your favorite comic book store, or your local library, or to your Marvel-obsessed friend’s house, and look for this book and read it as soon as you possibly can. If you do read this graphic novel, feel free to express your opinions. Comment or post or tweet anything you’d like to say, I’d love to hear from you. Everything I write in this blog is my own personal opinion and I don’t expect any of my readers to agree with what I say. We all have our own minds and think our own thoughts, and I invite you to feel however you want to feel about what I have to say, and if you disagree with me on anything I write, I’d really like to know so we can discuss our opinions. As far as to answer the second question on who the best audience is, I’d say that it includes teenagers and young adults, the LGBTQ+ community, and people who like stories about family drama.

                Okay, we’re getting to the wrap up point. So, I do have a few things to say before I log off. First, I’ve been doing this blog for over five years now and have done over 180 posts. I’ve done plenty of reviews of Epic Collections, Modern Era Epic Collections, and Ultimate Epic Collections. If you want to read more “Young Avengers” posts, feel free to check out my reviews of “Young Avengers: Not What You Think” and “Young Avengers: Dark Reign” for more content. I purchase every Marvel Modern Era Epic Collection and Ultimate Epic Collection as soon as I can after it is released and put up a review of it as soon as possible. I’ve done over seven dozen reviews just like this, so there are plenty more to read. My next review will be “Daredevil: The Murdock Papers” which you can expect to see within the next two months following this review, so keep checking back for it. There are also short stories, poems, essays, articles, and editorials, so keep checking out timcubbin.blogspot.com for tons more content that I’m sure you’ll like. I post on a very frequent basis, so keep checking back regularly, and tell your friends, family members, and coworkers about my blog so I get more readership. I’ll be doing this blog for as long as I possibly can, so you can expect that to be for quite a while. That’s all I have to say for now. Until next time, Tim Cubbin… out!

"Miles Morales: Spider-Man: Revivals and Revelations"

 

            The following is a review of the graphic novel “Miles Morales: Spider-Man: Revivals and Revelations” as presented in Marvel Modern Era Epic Collection format.

            After taking a year off to mourn the death of his mother, Miles Morales/Spider-Man found himself teamed up with the Ultimates’ Jessica Drew/Spider-Woman and new heroes Tyrone Johnson/Cloak, Tandy Bowen/Dagger, and Lana Baumgartner/Bombshell to shut down the evil Roxxon Corporation. Meanwhile, on another Earth in another dimension, a massive amount of time-travel abuses among the super-hero community created a series of rips in the space-time continuum that wreaked havoc across the galaxy. One such rip dropped into this universe a cosmic force, known only as Galactus, with a carnal appetite for entire worlds.

            Spider-Woman, after afraid of losing her position on the Ultimates, requested S.H.I.E.L.D. Director Monica Chang place her in charge of an investigation into the surviving Roxxon genetic experiments other than Cloak, Dagger, and Bombshell. Bombshell’s parole officer threatened her with jail time for using her powers as it violated the rules of her probation. Miles found out that some members of the NYPD were happy Spider-Man was back in action. Cloak brought Dagger to her old home, only to find it abandoned. Frustrated and wanting a big bad guy to hit, Cloak and Dagger witnessed the appearance of Galactus in New Jersey, which Galactus then proceeded to wipe off the map, but Cloak and Dagger discovered they were no match for Galactus. Spider-Man teamed up with the Ultimates to try to save as many people in New York as possible. Bombshell witnessed the carnage being caused by Galactus and decided to try her hand at being a superhero. Cloak and Dagger joined the rescue effort. Spider-Man found his father Jefferson Davis looking for his son and unmasked to his father. Jefferson then blamed Miles for the death of both Jefferson’s brother Aaron Davis/Prowler and Miles’ mother Rio Morales. Miles told his father to hide and that Miles would come back. Spider-Man found a crashed plane, carrying a surviving J. Jonah Jameson, publisher of the Daily Bugle and thebugle.com. As the heroes struggled to save lives, Jameson promised to change their lives. Miles returned home, looking for his father, but Jefferson was nowhere to be found. Miles was contacted by Steve Rogers/Captain America, who asked for Spider-Man’s help stopping Galactus.

            To commemorate the second anniversary of the untimely passing of Peter Parker, Peter’s Aunt May Parker and confidante Gwen Stacy hosted a small get-together at their house to celebrate Peter’s life. Miles was invited and brought his best friend Ganke Lee along as his plus one. Those in attendance at the get-together were Peter’s girlfriend Mary Jane Watson, Jessica Drew/Spider-Woman, Lana Baumgartner/Bombshell, Johnny Storm/Human Torch, Bobby Drake/Iceman, Liz Allan/Firestar, Kitty Pryde/Shadowcat, Kenny “Kong” McFarlane. J. Jonah Jameson was invited, but he decided not to leave his limousine, and Tony Stark/Iron Man was unable to attend, but he sent catering from chef Chester Cebulski. Ganke brought Gwen a gift he made from Legos, which Miles feared would scare Gwen away, but which instead earned Ganke a kiss from Gwen. The guests discussed what they thought Peter’s life would turn out to be like should he have lived. Gwen decided to honor Peter that the party should do something nice, so the guests brought the catering to Queen’s Mission to offer food and comfort to the poor, homeless, and hungry. As the guests dispersed from May’s house, someone was watching from the bushes.

            Following the shut down of S.H.I.E.L.D., Norman Osborn/Green Goblin, who was believed dead and was being held in S.H.I.E.L.D. custody, was to be transferred to federal prison. Burglars who came to be called the “Spider-Man Twins” began a crime spree. While being transferred, Osborn escaped custody as the Green Goblin. Miles consulted Mary Jane as Miles considered telling his girlfriend Katie Bishop that Miles was Spider-Man, asking how long Mary Jane knew Peter was Spider-Man and what Mary Jane’s relationship with Peter was like. Miles went to his father’s apartment to check if Jefferson had returned and instead found Peter Parker searching through the apartment. Peter wanted his web-shooters back, which May had gifted to Miles after Miles took up the mantle of Spider-Man after Peter’s death. Miles wanted Peter to tell May that Peter was alive. Peter knocked Miles unconscious and took back the web-shooters. Miles believed this Peter Parker to be a clone and went to Ganke with Miles’s suspicions. Ned Leeds came to Jameson with intentions to run a story on the Spider-Men, but Jameson refused to publish it. Reporter Ben Urich arrived with the story of Norman Osborn being alive and on the loose, which Jameson decided to go along with. A security guard attacked by the Spider-Men died in the ER, and homicide detective Maria Hill was put in charge of the case. Hill was already aware that Miles was Spider-Man. Miles confessed to Katie that he was Spider-Man. Her reaction was to run away from him. Hill arrived and asked Miles to get in the car with her, but Miles pulled a disappearing act. After Hill left, Miles and Ganke read Urich’s story about Norman Osborn. Miles decided to go to the last place Norman Osborn was seen alive: in front of Peter Parker’s house. Monica Chang led a unit into Osborn Industries to look for Norman Osborn, but the unit did not survive their encounter with the Green Goblin. Miles went to Peter Parker’s house, where he was confronted by the Green Goblin. Katie confessed to her sister Misha that Miles was Spider-Man. Miles fought the Green Goblin and was joined in the fight by Peter Parker. The media witnessed the arrival of Peter Parker, and May immediately knew this was the real Peter Parker by watching the news footage. Miles used his venom blast on the Green Goblin, who then fled from the two Spider-Men, who were then confronted by the police. During Miles and Peter’s escape, Miles was grazed in the leg by a police bullet. Miles was discovered by Maria Hill, who Miles got in the car with. The Spider-Man Twins decided to take advantage of the return of Peter Parker. Hill helped Miles treat his wound. Osborn went to Jameson to confess his story. Osborn had a theory that because of the Oz formula in their blood, Osborn and Peter were unable to die. Jameson attempted to end Osborn but only ended up meeting his own demise. Miles and Hill went to Mary Jane’s house, where they learned she had been helping hide the fact that Peter Parker was alive. May and Gwen arrived and reunited with Peter. The Green Goblin also arrived in front of Mary Jane’s house. Miles fought and defeated the Green Goblin with his venom blast. Osborn taunted Miles, saying Osborn had information about Miles’ father before turning back into the Green Goblin. Miles and Peter fought the Green Goblin again, and Hill joined in to make sure Norman Osborn would never menace the world again. Peter returned the web-shooters to Miles and gave Miles his blessing to be Spider-Man, but decided he had to leave for the safety of his family and friends, and Peter and Mary Jane drove off together. Miles returned to Brooklyn Visions Academy, where he was woken up by Ganke, who informed Miles that Miles had a visitor: Miles’ father. Jefferson revealed to Miles that twenty-five years ago, Jefferson had gone undercover for S.H.I.E.L.D., working to bring down Wilson Fisk/Kingpin from inside Fisk’s own organization and the reason he left Miles was because Jefferson didn’t feel worthy enough, and Jefferson and Miles reunited as father and son. Miles found Max Dillon/Electro and Victor Creed/Sabretooth engaged in a fight. He tried to let them defeat each other, until innocent lives were threatened, and he joined in the fight. Miles was aided in the fight by Cloak and Dagger, and the trio were able to defeat the supervillains. Miles went to Katie’s house to try to talk to Katie and was greeted by Katie’s father. Misha had revealed to her father that Miles was Spider-Man. Katie’s father drugged Miles. The Spider-Man Twins robbed a top secret S.H.I.E.L.D. warehouse. They were confronted by Jessica Drew/Black Widow, but the Twins were able to defeat Black Widow. Miles’ father attempted to contact Miles but was unsuccessful. Ganke and Miles’ roommate Judge revealed to Ganke that Judge knew Miles was Spider-Man. Miles woke up in a Hydra facility. Katie’s parents were agents of Hydra, and she was born into the organization. Hydra agents also abducted Jefferson and Ganke. Miles tried to escape but was blackmailed with Jefferson and Ganke’s lives. Judge was sent to look for Miles and Ganke and discovered their room was trashed. Victor Van Damme/Doctor Doom was in the process of making a merger with Hydra and arrived at the Hydra facility. Doom wanted to learn how to duplicate Miles and Jessica’s powers, make an army of super-soldiers with spider powers, then dispose of Miles and Jessica. Judge went to Miles’ father’s apartment to search for Miles and was greeted by Cloak and Dagger, who were also looking for Miles. Judge, Cloak and Dagger contacted Bombshell and Kitty Pryde, and the group recruited Maria Hill and Brooklyn Police Department Captain Frank Quaid to rescue Miles. As the group tried to make their escape, they witnessed their world about to come to an end.

            Okay, now that we’ve gotten that rather lengthy summary out of the way, let’s move on to my part of this review. We’re going to start, as always, with my own personal opinions on the book. I will say that I thoroughly enjoyed this book. Once I started reading it, I couldn’t put it down. As some of my longtime readers may know, one of my favorite comic book writers is Brian Michael Bendis, I usually love reading his work, and this time, he did not disappoint me. I do, however, have a major complaint with the “Cataclysm” storyline. As some of my longtime readers may know, Epic Collections do not actually contain the main issues of an event, rather they collect the issues of characters from around the time of the event pertaining to the titular series. “Cataclysm: The Ultimates’ Last Stand” was an event that spawned several other limited series, including “Cataclysm: Ultimate Spider-Man,” this latter limited series being the only part of “Cataclysm” included in this volume. Therefore, readers of this volume only get one part of the story, which is far from the complete story. The ending of my third paragraph was actually not me trying to be vague to avoid spoiling the ending of the story, that paragraph ends where the story ends. I will admit to a good deal of disappointment from this, but I was still able to find enjoyment reading what was contained in this volume. I found the storyline of Miles and Jefferson dealing with Miles being Spider-Man to be very emotional, having been abandoned by my father myself, and I thought the writing on that was excellent. It was established right at the beginning of the series that Jefferson hated mutants and superheroes and Miles was afraid of what telling Miles’ father that Miles was Spider-Man would mean for Miles, and the readers had been waiting for this to happen, and when it finally did Jefferson’s reaction was to abandon Miles. And the fact was that Jefferson really did this because he didn’t feel worthy whereas Miles was worthy, and I thought that was highly compelling, and the resolution between the two of them was extremely touching. I loved the celebration for Peter Parker; I thought that issue was fantastic. I especially loved the connection between Ganke and Gwen, I thought that was quite humorous. I was quite surprised by Peter Parker’s return and the fact that Oz grants immortality when I first read this storyline when it originally came out. I found it entertaining watching Peter and Miles team up against the Green Goblin, I thought their fights were pretty epic. I had forgotten over the years exactly how dark this storyline was and how many deaths and attempted deaths were caused by Osborn. Jameson’s fate in particular was extremely shocking to me, how he attempted to end Norman before meeting his own demise. This was also one of the few series of the comics where I found Maria Hill to actually be a likeable character. The way she took on Osborn was impressive. I enjoyed the Bishop Hydra twist. I totally did not see that one coming. I also enjoyed Miles’ father’s involvement in S.H.I.E.L.D., that was also unexpected. I liked Bendis’ subtle hints about “Secret Wars” with the arrests of the crazy people in costume, that was actually quite amusing. I do hate how the ending led directly into “Secret Wars” and the next volume of “Miles Morales: Spider-Man” will be in a different universe with no explanation of how Miles became part of the Marvel Universe because Marvel will not include “Secret Wars” in a Modern Era Epic Collection because of the whole not including events in Epic Collections thing and I don’t have a good recollection of that event from ten years ago. And the whole last issue in this book felt rather rushed, especially leading up to the ending, which was extremely inconclusive, by the way. I did like seeing the little team form together at the end, even though we’ll never see this team-up again. Moving forward, I will also say that I found the art in this graphic novel to be spectacular. I thought David Marquez did an exceptional job illustrating these issues and I found looking at this book to be visually pleasing. I thought this was amazing comic book artwork. As far as the title goes, I feel like it is a good representation of this collection. This book did have the revivals of Peter Parker and Norman Osborn, and there were a lot of revelations such as Jefferson being involved with S.H.I.E.L.D. and the Bishops being involved with Hydra, so “Revivals and Revelations” perfectly encapsulates the essence of this volume, and I think it’s a spot-on title. Finally, we’re going to discuss the cover. The cover of this book shows a small Miles swinging in front of a large, roaring Green Goblin. I don’t feel this shows accurate proportions to the characters inside the issue. As such, I don’t find this to be the “perfect” cover to this book. However, the Green Goblin is a threat through seven of the sixteen issues contained in this collection, so featuring him so prominently on the cover is, in my opinion, adequate enough, but I do feel there are other covers from this collection that would work as well as, if not better than, the choice the editors picked for this volume. Overall, though, I did find this book to be a highly enjoyable experience, despite the few areas of disappointment at the beginning and end.

            Next up on our docket of topics to discuss, we’re going to cover accessibility. I know my longtime readers know what I mean by this, I have used this word in reviews over six dozen times by this point, but I know I always have first-time readers with every post I do, so I have to re-explain myself every time I do a review for the newbs who have stumbled onto my blog for the first time. So, when I say “is ‘Miles Morales: Spider-Man: Revivals and Revelations’ accessible?” what I am asking is, can a person who has never heard of Miles Morales before or never read a Marvel Comic before obtain this book, read it cover to cover, and understand what they have just read based solely on what is contained in this book and this book alone? The answer to that question is a big no. My reasoning for this is the “Cataclysm: The Ultimates’ Last Stand” tie-in. First off, this is a spin-off series from an event that does not tell the full story of the event and all of the details of the event outside of Miles, Cloak, Dagger, Bombshell, and Spider-Woman’s actions saving the people in New York City are left out of this volume. On top of that, this event is multiversal, originating in the Marvel Universe and impacting the Ultimate Universe, the latter being the setting for this collection. Secondly, the “Cataclysm: Ultimate Spider-Man” series continues directly from where “Ultimate Comics Spider-Man” left off, following twenty-eight issues of continuity, and reading this volume without consuming the previous storylines leading up to this point can be somewhat difficult to process. I would not qualify this book as one for someone who knows nothing about Marvel Comics. As for qualifications for reading this volume, I would say the reader should have read the previous two volumes of “Miles Morales: Spider-Man”, “Cataclysm: The Ultimates’ Last Stand,” and know the essence of the original “Ultimate Spider-Man” and “Ultimate Comics Spider-Man” series, particularly Peter Parker’s death in order to optimally read this collection and completely assimilate what they have just read.

            Okay, moving on, we’re up to one of the key elements of my reviews: the numeric score. I know that it’s not the single most important part of my reviews to everyone, some people come so they can read about the story, but it is essential to state exactly how good I feel a book is when I write a review on a scaling system. So, my scoring system is extremely simple: I score media on a scale of exact integers ranging from one through ten. One is the lowest score I can possibly give, and that means that this book is not worth reading at all, and every remaining copy that hasn’t been purchased by unfortunate souls should be pulled off the shelves and destroyed, then the original plates should be wiped so this trash can never be reprinted. Ten is the highest score I can possibly give, and that means that this book is sheer perfection and one of the best things I have ever read in my entire life, and it should not be on shelves because everyone should be buying it, and the publishers should need to reprint this book on a regular basis because of the popularity that there just aren’t enough copies to satisfy the masses. Okay, I know, I’m being extra here, one and ten honestly should not exactly mean what I’ve just typed, but you get my point. Anyway, when I score an Epic Collection, I take every factor into account when producing my scores. This includes: the story: was it exciting, compelling, interesting, entertaining, and enjoyable to read from beginning to end? The art: was it visually appealing and nice to look at throughout the entire book? And the title: does it perfectly capture the essence of what the stories are about? The cover: does it adequately depict what to expect from the interior content of the collection? My longtime readers will know that I am extremely hard to please and that I don’t give out tens unless all of those factors are met exactly. So, I will say I did highly enjoy the story that was in the book, but the missing content hurts the quality of the read, and the last issue felt rushed and the story ended in an inconclusive way that will not be resolved in the next volume. The artwork was excellent. The title was a perfect choice to describe the stories in the book. The cover was adequate enough for the book, but it wasn’t the perfect representation for all the content in this collection. So, putting all of these puzzle pieces together, the score we are looking at here is… an eight! I feel like this was an exceptionally good book. While it did have its flaws, it was still highly entertaining.

            Next up, we’re going to do my recommendation segment. This segment answers two questions. The first question is: do I, Tim Cubbin, personally recommend this book to you, my readers, or to anyone unfortunate enough to get caught up in a conversation with me about this book, who are now interested in reading this book based solely on what I have just related to anyone consuming my words? The second question is: regardless of if I would recommend this book personally, whom do I think is a good type of audience for this book, besides the obvious Miles Morales, Spider-Man and Marvel Comics fans? To answer my first question, yes, I do recommend this book to you. If you’re reading this review and want to read this book now, I suggest you go to your favorite online retailer, or your preferred bookstore, or your nearest comic book store, or your local library, or your Marvel obsessed friend or relative and look for this book and read it as soon as you can. If you read this, feel free to comment to me your opinions on this book, I would love to hear from you. Everything I say on this blog is purely my own personal opinion, and I don’t expect anyone to agree with me at all. You’re entitled to feel however you want to feel about what you read, and if you feel the same or if you feel different, I want to know. Please drop a comment here to let me know what you thought of this book. As for an audience for this book, I would recommend it to readers who enjoy family dramas and trying to find acceptance from your family; readers who enjoy stories about legacy, trying to live up to being who you are, who you want to be, and who others expect you to be; readers who enjoy stories about immortality and the repercussions of such a gift and how it can be a curse; readers who enjoy stories about secrets and what those secrets can mean to your friends, family, and relationships; and readers who enjoy stories with lots of plot twists and twists and turns and unexpected moments.

            Okay, we’re just about done here, but there are a few more things I do have to say before I click post. First off, I have been doing this blog for over five years. I have done over 180 posts, so feel free to keep exploring timcubbin.blogspot.com for more content by me. If you liked this post and want more Miles Morales, feel free to check out “Miles Morales: Spider-Man: Hero in Training” and “Miles Morales: Spider-Man: Spider-Man No More” for more content. I’ve done over six dozen other Epic Collection reviews similar to this one, so feel free to check some of those out too. I’ve also written reviews of Marvel Comics events posted on Marvel Unlimited, as well as reviews of prose novels and manga, but the current focus of this blog is on Marvel Modern Era Epic Collections and Marvel Ultimate Epic Collections. I purchase every one of those as soon as I can after their release and if possible, put up a review as soon as I can after I’m done reading it. My next review is going to be “Young Avengers: The Children’s Crusade,” you can expect to see that within the next two months following the posting of this review, so if that sound interesting to you, keep checking back for it. Feel free to like, retweet, share, do whatever you can to promote this post and me. I do have a bachelor’s degree in English with a concentration in journalism, but due to life circumstances am unable to get a job in the professional field, but I do this blog in my spare time to do something to contribute to what I spent my time in college learning so my skills don’t go to waste, so I’d appreciate getting as much readership as I possibly can. That’s all I have to say for now, but until next time, Tim Cubbin… out!

"Hulk: Code Red"

 

                The following is a review of the graphic novel “Hulk: Code Red” as presented in Marvel Modern Era Epic Collection format.

                Doctor Robert Bruce Banner had finally been cured of being the Hulk. Karla Sofen/Ms. Marvel learned this fact and brought it to her boss Norman Osborn, Director of H.A.M.M.E.R. Osborn decided to test this information and sent out Ares, Greek god of war, to confirm if the Hulk truly was gone for good. Bruce and his ally Rick Jones/A-Bomb were discovered by Ares, who tried to force Bruce to turn into the Hulk by threatening A-Bomb’s life. Bruce managed to save A-Bomb and the two escaped from Ares. Ares confirmed to Osborn that the Hulk was no more.

                Neena Thurman/Domino was on an assignment when she accidentally saw the transformation of the Red Hulk from his human identity and was able to escape. General Thaddeus “Thunderbolt” Ross and Doctor Leonard Samson compiled a list of individuals to hire a team to help the Red Hulk find and eliminate Domino to prevent her from spreading the identity of the Red Hulk. This list included Wade Wilson/Deadpool, Frank Castle/Punisher, Boris Turgenov/Crimson Dynamo, Thundra, and Elektra Natchios. Team Code Red cornered Domino in a bar, but Domino brought backup in the form of X-Force (James Howlett/Logan/Wolverine, Laura Kinney/X-23, Warren Worthington III/Archangel, James Proudstar/Warpath, and Josh Foley/Elixir. Wolverine blinded the Red Hulk and the two teams clashed. A Red She-Hulk arrived on the scene and led Red Hulk away from the battle. Samson also turned up, and double-crossed Red Hulk, turning Team Code Red against Red Hulk. Thundra, however, was loyal to Red Hulk and fought Samson. Red Hulk’s sight returned, and he fought Red She-Hulk. Red She-Hulk threw Red Hulk off the top of the Empire State Building. Red Hulk survived and tracked down Domino and X-Force, who had tracked down Silver Sable, who revealed Sable was paid by Samson and that Sable was the one who tipped off Domino and that Advanced Idea Mechanics was involved, convincing Red Hulk Domino was in the wrong place in the wrong time. Red Hulk paid Team Code Red their promised payments and prepared to forge and alliance against Samson to protect his secret.

                Samson was struggling with his identities as Leonard, Doc Samson, and Samson as A.I.M. continued to try to control him.

                Bruce Banner returned to New York City to meet with Reed Richards/Mister Fantastic to receive information about the Hulk’s son Skaar, a half-Hulk/half-alien creature who blamed Hulk for the death of Skaar’s mother and wanted to kill the Hulk. Banner then teleported to the Mojave Desert and located Skaar and offered to train Skaar to prepare to kill the Hulk if ever Hulk were to return, as Skaar had no interest in killing Bruce Banner. Skaar agreed to this proposal. Banner angered Cain Marko/Juggernaut to give Skaar a challenge, and Skaar succeeded in defeating Juggernaut. Wolverine tracked down Banner and Skaar, and Skaar beat Wolverine. Skaar went looking for Wolverine’s son Daken. Daken was on Osborn’s Avengers team and suggested offering Skaar a place on the team. Banner and Wolverine watched their sons’ conversation but got involved when negotiations went sour. In the end, both dysfunctional families parted with the sons promising to one day end their father’s existence. Samuel Sterns/Leader had been spying on Bruce and Skaar’s bonding.

                H.A.M.M.E.R. scientists were attempting to siphon the Old Power of the Shadow People of Planet Sakaar that had been gifted to Doctor Kate Waynesboro, despite the fact that doing so could kill her in the process. Skaar and Banner infiltrated a H.A.M.M.E.R. laboratory in New Mexico and rescued Kate. Norman Osborn had a list of people he wanted taken care of, and Bruce Banner was on that list. Osborn sent someone “expendable” to take Banner off that list, so he sent his personal assistant Victoria Hand. Hand brought Karla Sofen/Ms. Marvel as muscle. Banner and Skaar went to take out another Old Power facility, and Hand and Ms. Marvel confronted them. Ms. Marvel and Skaar made a deal. Banner and Skaar destroyed the facility, which was also a gamma facility, once again exposing Bruce to gamma radiation, bringing him one step closer to becoming the Hulk again and allowing Skaar to complete Skaar’s desire to kill the Hulk, which was Osborn’s plan the entire time.

                Banner and Skaar played football against Korg, Kate, and A-Bomb. Bruce and Kate had begun to form a romantic attachment. Following the game, Bruce and Kate went to the Leader’s laboratory to try to find in the Leader had any data on Skaar in the Leader’s files. While there, Bruce and Kate were attacked by a flesh and blood Harpy, who had the appearance of Bruce’s wife Elizabeth “Betty” Ross-Banner. Bruce, Skaar, Korg and A-Bomb fought Harpy until they were able to defeat her and force her to revert to a human form, but it turned out not to be Betty. The Leader returned to his laboratory and discovered Kate there and destroyed it, preventing Kate from discovering if the Leader had any information on Skaar, but Kate was able to escape the lab before detonation. The Mole Man attempted to invade New York City with monsters who were refugees from the planet Sakaar. The Fantastic Four attempted to hold them back. Bruce and Skaar teleported to New York and Bruce set up a gamma dome to contain the monsters. The monsters worshipped Skaar, recognizing him as the monsters’ king since the Hulk had ruled Sakaar, and since the Hulk was no more and Skaar was the Hulk’s heir, Skaar was the next in lineage. Tyrannus attempted to kill Skaar in order to control the monsters, but Skaar was able to defeat him. The world saw Skaar in action and got to meet its new Hulk.

                Lyra was the genetically engineered daughter of Bruce Banner from an alternate future, and an agent of the Alternate Reality Monitoring and Operational Response agency, along with her AI companion Boudicca and the all-new savage She-Hulk, trying to honor the mantle of Jennifer Walters, who had gone missing. However, when she got angry, she lost her strength instead of gaining it like other gamma powered beings. She battled Phinn Mac Mram, who hailed from her world and attempted to corrupt the computer networks of her new home.

                Alex Erde, Agent of A.R.M.O.R., invited Lyra to look for Jen in Death Valley, against Director Little Sky’s orders. Norman Osborn wanted Boudicca for her information of the future. He had Ryker of the Origins® Corporation send out Aberration, Morass and Axon, three genetically enhanced convicted killers, pardoned in exchange for their services to the Corporation, to retrieve Boudicca. The Origins® killers shot Lyra and Erde’s plane out of the sky, fatally injuring Erde. Lyra swore vengeance on these three women and fought to protect Boudicca.

                Okay, we’ve got our synopsis out of the way, let’s move on to the Tim Cubbin part of this review. We’ll start, as usual, with my personal opinions on the book. I will say I found it to be mildly enjoyable. If you go back over a year and a half ago to my review of “Hulk: Who is the Red Hulk?” you will recall my disdain for the previous volume in the series. So, I will say that once again, we have a “Hulk” graphic novel starring the Red Hulk that does not reveal his true identity. Now, I’ve been reading Marvel for almost twenty-five years now, I’ve known who the Red Hulk is for fourteen years now, but still, I’m once again disappointed that I still don’t have an origin for the character. His whole background is shrouded in secrecy, and I just wish this book would have unclouded it. During the whole “Code Red” storyline, I kept hoping for the big unveiling and was highly disappointed that a year and a half later I still don’t have my answer. Plus, now they throw in the Red She-Hulk (who I also know who she is), who also gets no identity or origin reveal, just to rile me up even more. I also found that storyline to be highly confusing as there’s a scene where Red Hulk and his human form actually both appear on panel at the same time and Samson is in that same panel as a witness, so a lot of that story made no sense to me based entirely on that scene alone. I know the Red Hulk’s identity is a lot more well-known now also due to last year’s film “Captain America: Brave New World” which had not been released when I did my last “Hulk” review, so I know some of my readers may be familiar with him, and if you read this review extremely carefully, you might catch my confusion, but I don’t want to give spoilers to those who don’t know, although some of my other reviews have his identity already, so if you might have come across it if you’re a previous reader of mine, but I shall not give his identity in this particular review since it was not actually contained in this particular book. I also didn’t particularly like the Samson dissociative identity disorder issue as it did not further the story being placed in this volume and just succeeded in confounding the story even further. However, I did think team Code Red was an interesting gathering of characters, and I also enjoyed seeing them come up against X-Force. I also enjoyed seeing Bruce bonding with his son, I thought it was actually quite humorous how Bruce was training his son with the promise to one day kill the Hulk. I thought the “Dark Reign” issue was actually relatively good, I liked the twist ending of how Osborn accomplished his machinations. I found the All-New Savage She-Hulk storyline to be slightly interesting; I liked the paradox of her anger sapping her strength instead of increasing it. But this book failed to meet expectations. I think my biggest problem with this book was the dual focus. Most Modern Era Epic Collections I’ve read thus far really didn’t focus full-time on two separate ongoing series, and this split the attention from both the Red Hulk and Bruce Banner, and I feel like this didn’t work very well, it just slowed the progression of both stories by mixing both of them into one Collection. I feel like focusing on just the Red Hulk would have been a better option, but I honestly can’t officially say this until there’s another volume to say if compiling both Hulks’ stories is necessary to tell the narrative of the Red Hulk. And if telling Bruce’s story was unnecessary, then Lyra’s story was also unnecessary, and in all honesty, to me, it did feel like it was unimportant to the other stories. But again, I’m going to need another volume to confirm the necessity of all the included content. Moving on in my input, we’re going to discuss the artwork. I liked the artwork from Ed McGuiness, Ian Churchill, and Michael Ryan, but the rest of the artists failed to impress me. Churchill actually holds great sentiment for me as he was the artist for the first Marvel Comic book I purchased back in 2001 when I became a regular Marvel reader, and I enjoyed his work then, so seeing him lend his hand to this collection was a great privilege to me. But the other art just wasn’t as appealing. Next up, we’re going to discuss the title. I feel like “Code Red” was a relatively good choice for the title. It was the longest storyline in the volume, and I feel like it’s an adequate capturing of the essence of the book. We’re also going to discuss the cover. The cover depicts both the Red Hulk and the Incredible Hulk, which I feel is not completely appropriate for this volume as we never see Bruce Banner Hulk out over the course of this book, but when looking through the collection, the rest of the covers feature either the Red Hulk or Skaar with other characters that honestly wouldn’t appropriately represent the content in this volume, so it probably was the best if not only choice for a cover and I respect it as a choice. But overall, the internal content was relatively dissatisfying, and I was highly disappointed.

                Next up, we’re going to discuss accessibility. Now, I know there are some of you who are familiar with my reviews and know what I mean by this, and I have explained it over six dozen times at this point, but I always have new readers every time I do a review, so I have to explain myself to them every time, so to those of you who have been here before, please bear with me while I explain to the newbs. Accessibility means the ability for someone who knows absolutely nothing about the source material to see this book on a shelf or online and obtain it, read it, and understand everything as written with no outside knowledge of the characters or the story. I will say that it does draw on knowledge from other points in the Marvel Universe, such as “X-Force,” “World War Hulk” and “Dark Reign,” but it remains relatively standalone as far as content goes. This volume contains “sister series,” so they are connected to each other without straying into other characters aside from the Hulks. Also, the “Dark Reign” issue is self-contained. It does continue storylines from the previous volume, but it’s not a direct continuation and doesn’t rely on reading the previous “Hulk” storylines as being a necessity. I wouldn’t say it’s the best book to start with if you’ve never read a Marvel Comic book before, but if you really want to read it, it’s not a point that’s impossible to jump on at.

                Next up, we’re going to move on to one of the primary reasons we’re here: for me to give a numeric score. Now, I know it’s not the single most important part of my reviews, the synopsis is also key, and my own opinions are crucial, but a review would not be complete without giving an evaluation of exactly how good I feel like the book is, so I give a numeric score to asses the quality of the content. My scoring system is extremely simple: I score on a scale of exact integers ranging from one through ten. The worst score I can possibly give is a one, and that means that this book is so awful and unreadable that every remaining unpurchased copy of this book should be rounded up off the shelves or pulled out of storage and collectively obliterated, then Marvel should destroy the plates containing any possible ways of reprinting this book so it can never be reproduced again and be completely wiped out of history. Okay, I know that’s a little extreme, that’s just a joke, I don’t condone destroying books. On the other hand, if I score a book at a ten, that’s my best score, and that means this book is sheer perfection and I will not understand how it is not a bestseller and how any copies could possibly be on the shelves or in stock because it’s so good it should just be bought, then it should have to be reprinted because all the copies are just out of stock and the book is still in demand. Now, I’m not a guy who likes to give out tens unless I feel like the book truly is perfection. That means the story has to be engaging and compelling with no possible flaws that I can find and nothing for me to complain about, the art has to be consistently visually pleasing and appealing and I have to enjoy looking at every panel, the title has to be an exact representation of the book, and the cover has to sell the content contained within the book, all wrapped up in a perfect package. And that is very hard to find. On the other hand, I’m not in the business of giving out ones unless the book is absolute garbage with a story that is unreadable, uninteresting, and not understandable, the art has to be an eyesore and I don’t even want to look at the book because the art is so awful, the title has nothing to do with the content of the book, and the cover is completely misleading to the story contained within. Now, I did relatively dislike this book, but I did feel it was almost average. There were things I liked about the story, and there was some art I liked, and the title was an adequate description of the book, and the cover was relatively appropriate to the content contained within, so it wasn’t complete garbage. So, when I consider my score for this Collection, all cards shuffled and dealt on the table, the score I’m looking at is… a four. It wasn’t completely horrible, but it didn’t meet my expectations or fulfil my desires for what I was hoping to come from this book, but all-in-all, I didn’t completely hate it.

                Moving on in this review, we’re going to go to my recommendation segment. In this segment, I answer two questions: the first question is, would I, Tim Cubbin, personally recommend for anyone within the view of my words or the sound of my voice to read this book just based solely on what I just said? The second question is, regardless of if I would tell anyone to read this book or not, whom do I feel should be reading this book, beyond the obvious of Marvel or Hulk fans or fans of the creative team? To answer the first question, no, I do not personally recommend this book to you. If you are reading this and on the fence about reading this or not, I would tell you not to read this book. As for the second question, the best audience is action fans who like stories about dysfunctional families, and for readers who like paramilitary stories, and for people who like stories with characters who struggle with their identities.

                I think I’m at the point where I’ve said just about all I really need to say about the content, so let’s just get to the wrap-up. So, I can tell you that I’ve been working on this blog for over five years at this point. I’ve done over 180 posts. In addition to over six dozen reviews of Epic Collections, I’ve reviewed prose novels, manga, and comic book events. I’ve also written short stories, poetry, essays, articles, and editorials. If you liked this post and want more “Hulk” content, feel free to check out my review of “Hulk: Who is the Red Hulk?” and keep checking out timcubbin.blogspot.com for plenty more content, there’s plenty more on here you might find you’ll like. I collect every Marvel Modern Era Epic Collection and Ultimate Epic Collection as soon as I can after they are released and put up a review as soon as I can after I have finished reading them, so you can expect a lot of posts from me. I usually post at least once a month. My next review will be “Miles Morales: Spider-Man: Revivals and Revelations” and you can expect to see that within the next month after this post, probably in a lot less time than that, so keep checking back for that. I’m going to keep on doing this blog for as long as I possibly can, until my eyes or hands are unable to function, so you can expect to see this blog continuing for a long time. So, I say goodbye for now, and until next time, Tim Cubbin… out!

"Deadpool: Magnum Opus"

 

                The following is a review of the graphic novel “Deadpool: Magnum Opus” as presented in Marvel Modern Era Epic Collection format.

                Wade Wilson/Deadpool was hired to hunt down and take out James Howlett/Logan/Wolverine. Their encounter began when Deadpool attacked Wolverine in a restaurant in San Francisco’s Chinatown. After a prolonged fight that caused havoc and destruction through a department store, a coffee shop, and the streets of San Francisco, Deadpool was able to render Wolverine unconscious and abduct him. While Deadpool threatened to end Wolverine, Wolverine’s son Daken arrived, and Daken tried to kill Wolverine. Deadpool and Daken got into a fight. The fight was ended when Bucky Barnes/Winter Soldier came to Wolverine’s rescue.

                The shape-shifting alien Skrulls began their invasion of Earth through infiltration, assuming positions in government, the military, and even the superhero community. They possessed highly advanced technology, a massive armada of warships, enough soldiers to occupy the planet and Super-Skrulls, which could imitate the powers of multiple superheroes. Deadpool fought a battalion at a baseball stadium, but when he was unable to defeat the Skrulls, he offered to join them. The Skrull scientists, impressed with his regenerative healing factor, decided his genetics would be perfect to implement in their next generation of Super-Skrulls. Deadpool offered the Skrull head scientist to train the Deadpool Super-Skrulls, which the scientist begrudgingly accepted. In their first training session, the Deadpool Super-Skrulls took out an entire squadron of previous Super-Skrulls. Deadpool’s training caused erratic, unstable, and insane behavior in the Deadpool Super-Skrulls. Deadpool called the man who hired him to infiltrate the Skrulls, former Director of S.H.I.E.L.D. Nick Fury, but he was caught by a Super-Skrull while making the call and exposed as a traitor. Deadpool managed to defeat the Super-Skrull but was caught by the Skrull head scientist and the Deadpool Super-Skrulls. However, Deadpool had thought of a contingency plan to defeat the Deadpool Super-Skrulls. Deadpool stole Skrull bio data, specifically how to kill a queen, which he tried to send to Fury, but the data he sent was intercepted by Norman Osborn.

                Having spent all his money and used up all his munitions, Deadpool was desperate for a job. He called his old contact Zeke. Zeke’s wife had been into a zombie by a plastic surgeon named Doctor Druek Lovosno, who had created other zombies as well. Zeke hired Deadpool to kill Lovosno. Deadpool was to contact Zeke with the location of Zeke’s wife so Zeke’s men could rescue her, and Zeke could hopefully find someone to reverse the procedure. Zeke flew Deadpool to Grodke in Eastern Europe. Deadpool was believed to be a zombie and was shot and detained by the local police. After escaping with the help of one of Zeke’s men, Deadpool made it to Lovosno’s castle. Lovosno’s servant took Deadpool in, then poisoned Deadpool. When Deadpool came to, Zeke’s wife told Deadpool that Zeke was broke. Lovosno had made an arrangement with Zeke’s wife to pay for the procedure. Lovosno was then going to feed Deadpool to Lovosno’s patients. However, the patients did not want to eat Deadpool. Deadpool talked Lovosno into letting Deadpool go, promising Lovosno food for Lovosno’s patients, then called Zeke. Zeke and his men arrived, and Deadpool blew up Lovosno’s castle, betraying everyone.

                Tiger Shark was hired to kill Deadpool. Deadpool survived their first encounter and was found washed up on a beach near San Diego. He woke up at a homeless shelter, but as he tried to leave, Tiger Shark arrived. Tiger Shark attacked Deadpool at the homeless shelter, and the police came and shot Deadpool. Deadpool was found by his friend Bob, who helped Deadpool fight Tiger Shark. Bob and Deadpool went to hide out in a motel, where Deadpool figured out the Bob had also been hired to kill Deadpool. Bob revealed to Deadpool that Bob and Tiger Shark had both been hired by Norman Osborn, who had used the data Osborn intercepted from Deadpool to kill the Skrull Queen and assume leadership over S.H.I.E.L.D., now renamed H.A.M.M.E.R., and the Avengers. Deadpool ended Bob and faxed Osborn, demanding $100,000,000 in the following twelve hours or else Deadpool would expose Osborn for his theft.

                Deadpool infiltrated Avengers Tower, looking for Osborn. Osborn was at the Oscorp Building when Deadpool came looking, but Osborn’s Thunderbolts (Yelena Belova/Black Widow, Ghost, Ant-Man, Headsman, and Paladin) were at Avengers Tower. Deadpool and the Thunderbolts fought, and Deadpool escaped with a teleportation device he stole from an Avengers laboratory. The Thunderbolts were able to track Deadpool down, but Deadpool defeated them all except for Black Widow, who he flirted with. Paladin revived, and Deadpool escaped again. Deadpool retreated to a hideout with his associate Taskmaster, who agreed to be a decoy Deadpool. Deadpool took on the Thunderbolts while Taskmaster, disguised as Deadpool, went after Black Widow. Black Widow turned the tables on Taskmaster and abducted Taskmaster. The Thunderbolts were going to kill Taskmaster, who they thought was Deadpool, but Deadpool came to Taskmaster’s rescue and Deadpool and Taskmaster battled the Thunderbolts, but the fight only ended when the Thunderbolts thought they had killed Deadpool.

                When Norman Osborn found out Deadpool was still alive, he sent Bullseye, now posing as Hawkeye, to remedy the situation. After the two got into a fight, Deadpool took an arrow to the head. Deadpool survived and the two resumed fighting, and Deadpool beat Bullseye. The two once again resumed their fight until Bullseye talked Deadpool into disappearing from Osborn’s life.

                Okay, we’ve got our synopsis out of the way, it’s time to move on to my input for the rest of this review. We’re going to start, as always, with my own personal opinions about the book. I found this book to be, for the most part, enjoyable. My biggest complaint with this graphic novel is the balance between story and action. There was a huge focus on action that highly overshadowed the amount of space on the pages for story. That said, I did like what was readable. There was a good amount of comedy in this book, including some laugh out loud moments. I always liked Deadpool’s clever ways of outsmarting all of his opponents at the end of each story. “The Deep End” storyline with Wolverine had an interesting plot twist at the end with Daken I didn’t see coming. “One of Us” was the “Secret Invasion” storyline, and it actually turned out to secretly be one of the most important tie-in stories to how the heroes managed to beat the Skrulls as it was how Norman Osborn learned the information on how to kill the Skrull Queen. “Horror Business” also had a bunch of plot twists of everyone double-crossing everyone else. “How Low Can You Go?” also had double-crossing, and Bob and Tiger Shark both vying to take down Deadpool was amusing as obviously Bob was outclassed by Tiger Shark but still tried to succeed anyway. “Magnum Opus” was my favorite storyline, I enjoyed the Thunderbolts crossover, and seeing Norman Osborn fighting Deadpool was great. “Bullseye” was entertaining as well as both Deadpool and Bullseye wanted to kill each other and yet at the same time they really didn’t want to kill each other, so seeing the conflict was amusing. As far as the artwork is concerned, I did enjoy most of it, with the exception of Steve Dillon’s work on Wolverine: Origins #21-25. There’s just something about the way Dillon draws faces that doesn’t appeal to me. However, I greatly enjoyed the work of Paco Medina. I thought it was fantastic to look at, I really loved the style. I also appreciate the artwork from Carlo Barberi and Bong Dazo, I thought they produced excellent visuals as well. When thinking about the choice of a title, I feel like “Magnum Opus” was a good pick. There were six storylines in the book, giving the editors six already given choices, or they could have made a new one up, but I think they went with the best option that would work for this particular volume. However, I will say that I don’t feel like the editors picked the best cover for the front of this volume. They chose a cover from Deadpool #1, the “One of Us” storyline, depicting Deadpool and the Skrull invasion superimposed around him. I do feel like there were other covers from the issues contained in this graphic novel that would represent this volume better as a choice for the front cover as this storyline only spanned for three of the nineteen issues contained in this volume and is only a small part of the book as a whole when there were storylines in this book that ran longer. That said, ultimately, I was generally pleased with this book.

                Next up on our agenda of topics to cover, we’re going to discuss accessibility. I’ve been over this over six dozen times before, I know, but for every review I write, I know I always have my new readers, so I do feel obligated to explain myself again every time I write a new review. If you’re familiar with how this works, please be patient for a couple of sentences while I explain for the newbs what I mean when I throw out the word accessibility like this. So when I use the word accessibility, what I mean is, can someone who, in this case, has never heard of Deadpool or knows nothing about him obtain this book, read it, and understand everything they’ve just read with absolutely no prior knowledge on the subject? I will say that this is definitely not an easy book to get into if you are unfamiliar with Marvel Comics. This graphic novel has a tie-in story to “Secret Invasion” which, honestly, you don’t need to know everything about to follow this particular graphic novel, but it would help to have some knowledge about the basic concept of the Skrulls to understand this book. It also has a tie-in “Dark Reign” crossover with Thunderbolts, and these are some relatively obscure characters, but not knowing about them isn’t too damaging to understanding this graphic novel, just as long as you understand that they’re working for Norman Osborn. This book really doesn’t explain the purpose of the Thunderbolts very well, but they’re actually “reformed” villains working for Osborn in exchange for a governmental pardon, but this fact is never stated in this volume. The “Dark Reign” storyline itself also isn’t well explained in this collection, and knowledge about Osborn’s ascendance with H.A.M.M.E.R. and the Dark Avengers is required to understand this volume, particularly Bullseye being rebranded as Hawkeye. There are a lot of factors that make this book inaccessible to anyone but people who have experience with Marvel from the late 2000s. Even I wasn’t a regular reader at the time of “Dark Reign” and I honestly really didn’t know much about these Thunderbolts going into reading this book. Though this book is marketed as Vol. 1, it’s not an easy book for people with no prior Marvel Comics experience to get into.

                Next up, we’re going to move on to my numeric score. This is one of the most essential components to a Tim Cubbin review. Now I know some people come here because they want to know about the story, but it is very important to express just exactly how high of a quality standard the book left an impression of on me. First off, I’m going to explain my scoring system. It’s actually extremely simple: I score on a scale of exact integers ranging from one to ten. One is the lowest score I can give, and if I give it a one, then this book deserves to have every copy pulled off the shelves and collectively incinerated, then the prints should be destroyed by Marvel so this horrible pile of trash shall be wiped out of existence forever. If I give this book a ten, then this book is sheer perfection and if every Marvel and Deadpool fan doesn’t buy this book, I will seriously think there is something horribly wrong with them. Now, my longtime readers know that I don’t like to give tens very often. I have to actually be able to find no flaws with the book at all to give it a ten, and that includes story, art, title, and cover. That said, I’m not an ogre either and I don’t like giving low scores unless the book actually really deserves that. I honestly have not given a lot of ones over the five plus years I’ve been doing this blog. So, taking all the components of this book and mixing them all together: the story I enjoyed with lots of plot twists but a little too much focus on action and not enough on dialogue; the mostly good art with the exception of one artist; the title which I feel worked well for this book; and the cover that I don’t feel represented this book adequately, we’re looking at a score of… a seven. I found this book to be, for the most part, a pleasurable reading experience, and I enjoyed taking the journey through it., but I wish there had been a little more dialogue, and we already established how I felt about Steve Dillon, but overall, this was an enjoyable read.

                Next up on our list of things to cover is my recommendation segment. The point of this segment is to answer two questions. The first question is, do I, Tim Cubbin, personally recommend this book to you, who have just spent the past few minutes reading my words, or to anyone unfortunate enough to get caught up in a conversation with me about this book? The second question I answer is, regardless of if I would actually tell you I’d recommend this book personally, who is the best audience for this graphic novel, besides fans of Marvel and Deadpool and the creative team? The answer to my first question is yes. If you’re reading this review and now, based solely on what you’ve just read me post, you want to read this graphic novel, I will tell you to go read this book now. Check your local bookstore, or your favorite comic book store, or your preferred online retailer, or if you’re lucky, your nearby library to find this book and read it as soon as you can. I think if you’re intrigued by what I’ve described, you’ll enjoy reading the entire story. As for the target audiences, I think readers who like stories full of plot twists and double crossings would find this book will check off that list many times over. Readers who enjoy stories about mercenaries would probably like this book. Readers who enjoy stories about alien invasions could find something to like in this book. And if you like comic books with humor, this book might tickle your funny bone.

                Okay, I’ve been going on for long enough now, I think we’re at the point where we’re all about ready to move on with our lives. I do have a few end of term notices to hand out before I sign off, though. First off, like I said before, I have been doing this blog for over five years now. I have done over 180 posts now. In addition to over six dozen Epic Collection reviews just like this one, I’ve done other kinds of reviews as well, such as prose novelizations, manga, and comic book events. I have also written short stories, poetry, essays, articles, and editorials, so if you want a variety of content, feel free to keep checking timcubbin.blogspot.com for more posts, you might find something else to like. If you want more content like this, I’ll recommend specific posts for you: feel free to check out “Deadpool: In Wade We Trust” “Deadpool & Cable: Ballistic Bromance” “Spider-Man/Deadpool: Isn’t it Bromantic?” “Spider-Man/Deadpool: ‘Til Death Do Us…” and “Spider-Man/Deadpool: Road Trip” for more reviews about our favorite Merc with the Mouth. My next new post will be “Hulk: Code Red” you can expect to see that coming up within the next month from my posting of this review. I purchase every Marvel Modern Era Epic Collection and Ultimate Epic Collection as soon as I can after it is released and if possible, put up a review right after I am done reading it. I’m going to keep doing this blog for as long as I can, and you won’t expect an end to it anytime soon, as my eyesight and handiness seem to currently be in good order. I wish you goodbye for now, but I shall be back, but I say to you until next time, Tim Cubbin… out!