"Ultimate Fantastic Four: The Fantastic"

 

            The following is a review of the graphic novel “Ultimate Fantastic Four: The Fantastic” as presented in Marvel Ultimate Epic Collection format.

            Twenty-one years ago, Reed Richards was born. Eleven years ago, Reed was a young genius. He was bullied in school for his smarts, and his father was not understanding of his son’s intellect, so Reed only had his mother and best friend Ben Grimm in his corner. One day, Reed discovered another plane of existence. He began to try to breach the barrier, attempting to send some of his toys to this other dimension. He made it his Middle School Science Fair project, and he succeeded. A recruiter for the United States Director of Mainland Technology Development was in attendance and saw Reed’s project and came to Reed’s family, offering to take Reed to a “think tank” for young geniuses called the Baxter Building in New York City. Reed was introduced to Professor Franklin Storm, who informed Reed that although they were aware of this other dimension, which they called the N-Zone, Reed was the first to break through to it. Professor Storm had two young children, Sue and Johnny. Sue was also part of the think tank program. Five years ago, Reed was working on using the N-Zone as a transporter. One night, fellow Baxter Building Student Victor Van Damme snuck into Reed’s room to look at Reed’s formulas for the N-Zone. Though originally mad, Reed and Victor agreed to work together to further both Reed’s work in teleportation, and Victor’s work in robotics. General Ross of the United States Army fired Baxter Building scientist Arthur Molekevic for trying to create life through bio-technological methods. Five years later, the teleporter was ready for its first test. Reed invited his old friend Ben to view the test. Reed, Sue, Johnny, Ben, and Victor were all on the platform to watch an apple be teleported from the Nevada Desert to Guantanamo Bay. However, the teleporter did not teleport the apple, and Sue, Johnny, Ben, and Victor all disappeared, and Reed was able to elongate his body. Ben reappeared in Mexico City; his body transformed into rock. Johnny reappeared in France and could catch on fire. Susan reappeared in the desert, but was taken by Doctor Molekevic’s ani-men, with the ability to turn invisible. After being fired, Doctor Molekevic discovered an underworld 1.4 miles directly below the Baxter Building and had access to the Baxter Building mainframe and had been watching over its activities since he was fired with his creations. Johnny tried to learn to get his combustion powers under control. Ben was furious at Reed for mutating him, and Reed promised Ben he would fix them. Doctor Molekevic sent one of his creations, a giant monster, to the surface in order to bring Johnny down to him and Sue. Reed, Ben, and Johnny defeated the monster, then went below to rescue Sue. While fighting the monster, Johnny learned that while he was on fire, he had the ability to fly. Reed, Sue, Ben, and Johnny were reunited, and Sue learned she could create force fields that she was able to manipulate and move.

Reed determined that before the test, Victor must have changed the coordinates in the teleporter, and that it had instead sent them through the N-Zone and came out of it with these new powers. Reed and Sue grew romantically involved. Victor had reappeared in Copenhagen and had transformed into a metallic form. He had set up a Keep, where he used a mind-controlling tattoo to keep his own community. He sent a swarm of killer robot bugs to attack the Baxter Building. Reed, Sue, Johnny, and Ben were able to destroy his swarm, and Reed recognized this work as Victor’s and was able to reverse-trace Victor’s location. The United States Army was going to go to Copenhagen to arrest Victor for attacking the Baxter Building. Reed wanted to get to him first so he could get the codes he used for the transporter so he could attempt to reverse the effects of the transporter before they lost their only opportunity. Reed, Sue, Johnny, and Ben flew in Reed’s old invention, the Fantasti-car, to get there before the Army did. Victor reviewed the cameras from his robots and saw Sue, Ben and Johnny now had powers, but did not realize that Reed had also had powers since he had no abilities to use that aided in destroying the swarm. Victor shot down the Fantasti-Car, and he and his community fought Reed, Sue, Johnny, and Ben. Reed was unable to get the codes from Victor.

Reed continued to try to understand how to recreate the conditions of the accident, but Sue and Johnny decided they didn’t want to change back to the way they used to be. Reed decided the best way to get the information would be to actually go into the N-Zone himself. Sue, Johnny, and Ben agreed to go with him. Reed got the Army to agree and had a space shuttle decommissioned and refitted with his technology to make it able to travel through the N-Zone. The shuttle was renamed the “Awesome.” The four took the Awesome into the N-Zone. While in the N-Zone, they picked up a transmission. The four flew to investigate and Reed made contact with a lifeform in the N-Zone. The four arrived at a space station and were invited aboard. The lifeform was called Nihil. He used a special translator to communicate with the four, and Reed told Nihil that they hailed from another universe. During their conversation, Johnny’s skin turned to ash, and the four had to return to the Awesome to get back to their universe to treat Johnny. Reed and Ben went back to offer Nihil a way to establish communication between his universe and the N-Zone, but Nihil didn’t want that. The N-Zone was a dying universe, and he wanted to conquer a living one. Nihil tried to eliminate Reed and Ben, and Reed and Ben fought Nihil and his minions. Reed and Ben managed to retreat to the Awesome, and the four flew back to their universe. Unfortunately, they were unable to close the portal before Nihil and his minions could fly through. Nihil shot out the Awesome’s engines, and the Awesome crashed in Las Vegas. Reed, Sue, Ben, and the United States Army then had to fight Nihil and his minions in the streets of Vegas, and the existence of a new team of superheroes became known.

Okay, we’ve covered the synopsis. That’s just the first part of a Tim Cubbin review. Believe me, there’s plenty more content coming. Anyway, I start of my critiquing segments with my personal thoughts about the book. So, I’ll start off by saying that I thoroughly enjoyed reading this book. As some of my regular readers know, I have been reading Marvel Comics regularly for nearly twenty-five years now. The issues in this Collection were originally published between 2004-2005, and I read them pretty close to the time of original publication, but it’s been over fifteen years since I last read these issues, so experiencing them again was a genuine pleasure. Now, for context, this is my fourth review of a Marvel Ultimate Epic Collection, the Ultimate Universe was created back in 2000 to attract new readers by throwing away forty years of history and starting fresh with new stories for the classic characters, like Spider-Man and the X-Men. This eventually led to the Ultimates, which was a reimagining of the Avengers. Marvel eventually decided to move on to Fantastic Four in the Ultimate Universe. “Ultimate Fantastic Four” actually really was my introduction into Fantastic Four comics. I never really went for the classic Fantastic Four too much, even as my tenure reading Marvel went on. My only true foray into the classics was “Fantastic Four: The World’s Greatest Comic Magazine” two years ago, so if you want to compare original “Fantastic Four” to “Ultimate Fantastic Four,” please check out that review after completing your read of this review. But anyway, that’s enough history, let’s get on to what actually matters. So, yes, I really enjoyed the stories. I found this origin story of the Fantastic Four to actually be more compelling than any other I’ve read or viewed. I found Mark Millar’s take on having them gain their powers through a joint through the N-Zone to actually be more interesting than any others, which pretty much all involve something to do with space. Mind you, this was my first real Fantastic Four origin, too, but I don’t think any other origin has been as ambitious or as original as Millar’s was. I think pretty much every other writer has tried to do something similar to what Stan Lee did back in 1961, so something different is actually welcome. I remember seeing “Fantastic Four” in 2005 and being slightly disappointed with seeing them get their powers from a solar flare. As far as 2015, I honestly don’t remember how that one went, it was so bad I’ve tried to completely block it from my memory. Now we have “The Fantastic Four: First Steps” coming out in less than a month, I don’t know how that’s going to compare. But once again, I digress. That said, I support Millar’s choice with going with something different. I also like how he, Brian Michael Bendis, and Warren Ellis didn’t rush in with names, either. Nowhere in this book do they call themselves “Fantastic Four,” “Mister Fantastic,” “Invisible Woman,” “Human Torch,” or “the Thing,” although Johnny is attempting to shop names for them, but never do those original names actually get spoken in this entire volume. I liked that they weren’t rushing into being superheroes. I also liked Millar’s/Bendis’ idea to call the character Victor “Van Damme” and not “Von Doom” or “Doctor Doom.” I hate to say it, but I always found “Doctor Victor Von Doom” to sound kind of cheesy. I liked how Victor actually became metallic rather than just wearing a suit of metal, I thought that was really cool. I liked that Victor was a descendant of Dracula, even though I honestly feel like it serves no purpose, I just thought that was interesting. I liked the decision to call the other dimension the “N-Zone” rather than the “Negative Zone,” and I liked Ellis’ version of Annihilus, “Nihil.” I actually thought I caught a lapse in continuity with the inclusion of General Ross, but that did get addressed in this book, so I was happy Ellis included the line he did about Ross, or I might have been rather disappointed. And I must say, Adam Kubert and Stuart Immonen did a fantastic job illustrating this book. I felt that the quality of the artwork was consistently exemplary. All-in-all, I found this book to be outstanding and thought all the writers and artists did an amazing job with producing this book.

Next up on the agenda is the ever-important issue of accessibility. Now, I say this every single time, but I know I always have new readers with every post I do, so I have to say I again every single time, so if you already know my next sentence, please bear with me. When I say the word “accessibility,” it may sound a little odd, so to clarify what I mean, when I use the word, I am saying if this book is has the ability to be picked up by a person who knows absolutely nothing about Marvel Comics or the Fantastic Four and still be completely understood by that reader. Like I said before, this is a new universe and a new origin, so the answer to the question of whether this book is accessible is a definitive yes. You can know absolutely nothing about anything Marvel or the Fantastic Four and still be able to completely follow this entire book with no problems. It is one hundred percent self-contained. There are a few references to other characters and occurrences in the Ultimate Universe, including the Ultimates, but not knowing who or what they are does absolutely no damage to understanding the content of this particular book. If you now want to start reading Marvel Comics because of “The Fantastic Four: First Steps,” this is a perfect place to start, in my humble opinion, as there’s no other real history there, and it’s a more modern take than the one done by Stan Lee back in 1961, and it has banger art.

Okay, now we’ve finally come to the central point of this review: the numeric score. My scoring system is a very simple scale. I score on a scale of one through ten. One is the lowest score I give and that means that this book is not worth being taken off the shelf at all. Ten is the best score I could possibly give and that means that this book is absolute perfection and should be purchased off of every shelf and have to go into reprints every two years due to the need to restock. My regular readers will know that I very rarely give books a ten because I find it extremely hard to consider something perfection. There have to be absolutely no flaws. Sadly to say, this book is not a ten. While I thoroughly enjoyed consuming this book, I just don’t feel it meets the standard of perfection. That said, I’ll choose not to keep you in suspense like I usually do and just tell you that I do feel like this book is worthy of a nine. There were a few points in the story that just weren’t the greatest, and some of the panels of art did come out a little off but not enough to take away from my enjoyment of this book like some artists do. And I will say, when a graphic novel has multiple writers and artists, that is muddy waters because of the varying level of talent. However, I will also say I found every creator of this book to be on pretty much the same level.

Moving on, since I have been blathering for quite a while now, I will move on to my recommendation segment. In this segment, I say two things. The first is if I personally recommend this book. The second is whom I think is the best audience for this book. As for the first, that is a resounding yes, this book definitely gets this recommendation. And to the second, if you’re a neophyte fan of the Fantastic Four, I feel this is a perfect book for you. If you’re a longtime fan of the Fantastic Four and are looking for a fresh new take on an origin that has always been told in a similar manner, I feel like this book is for you. If you’re a fan of the original Marvel Ultimate Universe, I recommend this book to you. And if you’ve never had any vested interest in reading the Fantastic Four but for some odd reason are reading this review and are now interested in reading this book based solely on the words I’m typing now, I say you should not hesitate to try to read this book.

Okay, I’ve been at this for quite a while now, and I think we’re all about ready to just move on with our lives. First, though, I’ll talk a little about me. I’ve been doing this blog for five years now and have done over 160 posts. I have a bachelor’s degree in English with a concentration in journalism, but due to disability, I am unable to get a job as a professional journalist and instead work at a grocery store. This blog is my unpaid second job that I do on days when I’m not working at the grocery store. Would I love to be a professional blogger? Yes! But that just doesn’t seem to be in the cards, and honestly, I’m okay with that. Is this what I wanted when I graduated high school nineteen years ago? No. But my life isn’t super horrible right now. Anyway, you really don’t care about all that. What you do care about is that I have a lot of content you can view on this website. I’ve done over five dozen book reviews like this one at this point, and I’ve also written short stories, poetry, essays, articles, and editorials as well as these reviews, so if you like my work and are in the market for something different from me, keep checking out timcubbin.blogspot.com for all of my work, there’s plenty more to enjoy. I’m a very avid Marvel Comics collector; I purchase every Marvel Modern Era Epic Collection and Ultimate Epic Collection as early as I can after publication and attempt to get a review up if possible. I think at the moment there are only four Modern Era Epic Collections I haven’t reviewed due to not having had a laptop at the time of reading three of them. and not being able to get a review done promptly enough after one other and felt I would not do an accurate review of that one, and not having had the need to reread those four books yet. But since I purchase so many books, you can expect me to have a lot of content for you. Marvel always puts out at least one Modern Era Epic Collection a month. There are no further upcoming Ultimate Epic Collections at the moment of my drafting this post. There’s another Modern Era Epic Collection coming out five days from the point of my drafting this review, and I’m going to purchase it as early as I possibly can, and hopefully I can get a review of it up for you, so you can probably expect to see that in the next three weeks, so keep checking timcubbin.blogspot.com for that one. I might try to get some other kinds of work up here and there too, so check back for that, too. Follow me on X if you don’t already so you know when I’ve done a new post. Tell your friends and family about me if you think they’ll be interested in my work. Feel free to leave a comment for me, I’d love to hear your thoughts. Like, share, retweet, do whatever you can on the site you’re on. And I say to you until next time, Tim Cubbin… out!